Grupos de investigaciónhttp://hdl.handle.net/10259/50862024-03-29T14:43:10Z2024-03-29T14:43:10ZEl héroe fieramente humano: Aquiles, el hombre, de Roberto RiveraOrtega Villaro, María Begoñahttp://hdl.handle.net/10259/88652024-03-23T01:05:11Z2023-01-01T00:00:00ZEl héroe fieramente humano: Aquiles, el hombre, de Roberto Rivera
Ortega Villaro, María Begoña
En el presente trabajo se estudia la obra Aquiles, el hombre, de Roberto
Rivera, estrenada en Mérida en 2016. La obra presenta a Aquiles no como el héroe
en cuyas manos está la victoria sobre Troya, sino como un hombre enfrentado a la
violencia, la que le rodea en esa guerra interminable, o la que surge como respuesta a
su dolor. El autor ha convertido el fragmento del poema épico en una tragedia clásica
que le permite una indagación mayor en el alma torturada de Aquiles, gracias a su
relación/enfrentamiento con los distintos personajes: Briseida, Patroclo, Agamenón. Al
convertir a Aquiles en un personaje moderno, autoconsciente, mientras se mantienen
con absoluta fidelidad los principales acontecimientos, se dibuja un personaje a veces no
demasiado coherente, un anacrónico pacifista tan fuera de lugar como la guerra misma.; This paper analyzes the play Achilles, the man, by Roberto Rivera,
performed at the Teatro Romano de Mérida in 2016. The play presents Achilles as
the hero in whose hands is the victory over Troy. Achilles is also a man faced with a
double violence: the one that surrounds him in that endless war and the one that arises
as a response to his pain. The author has turned the fragment of the epic poem into a
classical tragedy thanks to his relationship/confrontation with the different characters:
Briseis, Patroclus and Agamemnon. However, the work turns Achilles into a modern
and self-aware character, within events completely faithful to the Iliad. Therefore, the
play draws a character sometimes not always coherent, an anachronistic pacifist as out
of place as the war itself.
2023-01-01T00:00:00ZNorma Jeane Baker, Helena de Troya y Sus Fantasmas. De Eurípides a Anne CarsonFuente Anuncibay, Marién de lahttp://hdl.handle.net/10259/88642024-03-23T01:05:11Z2023-01-01T00:00:00ZNorma Jeane Baker, Helena de Troya y Sus Fantasmas. De Eurípides a Anne Carson
Fuente Anuncibay, Marién de la
Mostramos una nueva reinterpretación genérica, lingüística e ideológica,
sobre la figura mítica de Helena: Norma Jeane Baker of Troy, de Anne Carson. La
Helena de Eurípides como hipotexto y un fragmento de la biografía de Norma Jeane
como hipertexto, permiten la fusión de dos figuras femeninas: la “inocente” y mal
afamada Helena junto a su descarado εἴδωλον, y Norma Jeane Baker en el contexto
del exigente Star System del Hollywood de la década de los 50. Dos figuras unidas por
el mismo ambiguo sentimiento de admiración, deseo y rechazo. Obra de arte de trama
no lineal, donde el sentido del texto se encuentra entre dos lenguas, dos tiempos y dos
espacios. Los géneros artísticos pierden sus contornos exactos dando como resultado
un texto singular y una especial performance escénica.; We show a new generic, linguistic and ideological reinterpretation of
the mythical figure of Helen: Anne Carson’s Norma Jeane Baker of Troy. Euripides’
Helen as hypotext and fragments of Norma Jeane´s biography as hypertext merge two
female figures: the “innocent” and ill-famed Helen along with her shameless εἴδωλον,
and Norma Jeane Baker in the context of the demanding Hollywood Star System of
the 50s. Two figures united by the same ambiguous feeling of admiration, desire and
rejection. Work of art with a non-linear plot, where the meaning of the text is found
between two languages, two times and two spaces. Artistic genres lose their exact
contours, resulting in a unique text and a special scenic performance.
2023-01-01T00:00:00ZHydrogen Embrittlement of AISI 316L steel produced by Selective Laser MeltingPeral, L.B.Díaz Portugal, AndrésEbrahimzadeh, P.Fernández-Pariente, I.Alegre Calderón, Jesús ManuelCuesta Segura, Isidoro Ivánhttp://hdl.handle.net/10259/88632024-03-22T01:05:12Z2024-01-01T00:00:00ZHydrogen Embrittlement of AISI 316L steel produced by Selective Laser Melting
Peral, L.B.; Díaz Portugal, Andrés; Ebrahimzadeh, P.; Fernández-Pariente, I.; Alegre Calderón, Jesús Manuel; Cuesta Segura, Isidoro Iván
Selective laser melting (SLM) is one of the common methods of additive manufacturing and it can be employed to customize components with complex geometry expected to work in hydrogen atmospheres. However, more studies are still needed to characterize the behavior of printed mechanical components intended to work in contact with hydrogen. In this study, smooth and notched tensile samples were precharged in an acid solution with 8 mA/cm2 for 24h time. Hydrogen damage was more marked in the notched samples, especially at 0.005 mm/min, where fracture micromechanism changed from ductile in the absence of hydrogen to quasi-brittle in the presence of internal hydrogen. The role of the strain-induced martensite is also highlighted.
Trabajo presentado en: Third European Conference on the Structural Integrity of Additively Manufactures Materials (ESIAM23)
2024-01-01T00:00:00ZStudy of crystallization and melting-solidification processes in some fatty acids as phase change materials (PCMs)Peña-Tapia, AlejandroRubio Pérez, GabrielBriones Llorente, RaúlLorenzo Bañuelos, MiriamLifi, MohamedAguilar Romero, FernandoMuñoz Rujas, Nataliahttp://hdl.handle.net/10259/88622024-03-22T01:05:05Z2023-12-01T00:00:00ZStudy of crystallization and melting-solidification processes in some fatty acids as phase change materials (PCMs)
Peña-Tapia, Alejandro; Rubio Pérez, Gabriel; Briones Llorente, Raúl; Lorenzo Bañuelos, Miriam; Lifi, Mohamed; Aguilar Romero, Fernando; Muñoz Rujas, Natalia
Ponencia presentada en: 13th National and 4th International Conference in Engineering Thermodynamics (13CNIT). Universitat Jaume I, Castellón de la Plana (Spain), 29th November to 1st December 2023.
2023-12-01T00:00:00Z