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<title>Área de Lengua Española</title>
<link>https://hdl.handle.net/10259/5195</link>
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<rdf:li rdf:resource="https://hdl.handle.net/10259/5376"/>
<rdf:li rdf:resource="https://hdl.handle.net/10259/5375"/>
<rdf:li rdf:resource="https://hdl.handle.net/10259/5215"/>
<rdf:li rdf:resource="https://hdl.handle.net/10259/5197"/>
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<dc:date>2026-04-17T04:13:49Z</dc:date>
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<item rdf:about="https://hdl.handle.net/10259/5376">
<title>Voces de medicinas en un inventario de bienes del siglo XVII</title>
<link>https://hdl.handle.net/10259/5376</link>
<description>Voces de medicinas en un inventario de bienes del siglo XVII
Perdiguero Villarreal, Hermógenes
Los términos de medicinas presentes en los diccionarios proceden por lo general de textos médicos o farmacéuticos. Su presencia en un inventario de bienes del año 1622 ha permitido detectar algunas voces de este ámbito científico no recogidas en los diccionarios y formas no registradas de otros vocablos. Se estudian aquí los términos de medicinas de mayor interés filológico, aportando datos sobre su origen, documentación, variación y significado, teniendo en cuenta un catálogo de productos medicinales de finales del siglo xvi.; The terms related to medicines present in dictionaries usually come from medical or pharmaceutical texts. Their presence in an inventory of goods of the year 1622 has made it possible to detect some voices of this scientific field not included in the dictionaries and unregistered forms of other words. The terms of medicines of greater philological interest are studied here, providing information about their origin, documentation, variation and meaning, having as a reference a catalog of medicinal products from the late sixteenth century.
</description>
<dc:date>2019-01-01T00:00:00Z</dc:date>
</item>
<item rdf:about="https://hdl.handle.net/10259/5375">
<title>Inventarios de bienes del siglo XVII en la comunidad hebrea de Livorno (italia): nivelación entre español y portugués</title>
<link>https://hdl.handle.net/10259/5375</link>
<description>Inventarios de bienes del siglo XVII en la comunidad hebrea de Livorno (italia): nivelación entre español y portugués
Perdiguero Villarreal, Hermógenes
En este estudio se analizan documentos notariales pertenecientes a la comunidad sefardita de Livorno (Italia) del siglo XVII, formados por testamentos e inventarios de bienes principalmente, que muestran interferencias de otras lenguas en textos escritos en español. Tras mostrar las circunstancias del éxodo de judíos españoles y portugueses, se revisan los estudios llevados a cabo sobre el contacto del español y el portugués, y los principios del contacto de lenguas. Se dedica especial atención al análisis de la presencia de elementos del portugués en el testamento de una mujer, viuda de un sefardita portugués para observar el proceso de nivelación lingüística en tales documentos.; This study analyses notarial protocols of the Sephardim community of Livorno (Italy) in the 17th century. The documents mainly include wills and goods inventories that show interferences from other languages in the texts written in Spanish. After considering the circumstances for the exodus of Spanish and Portuguese Jews, this study reviews the works on the contact between the Spanish and the Portuguese, and the beginning of language contact. Special attention is paid to the analysis of the presence of Portuguese elements in the will of a woman, who was the widow of a Portuguese Sephardite, to observe the process of linguistic levelling.
</description>
<dc:date>2018-01-01T00:00:00Z</dc:date>
</item>
<item rdf:about="https://hdl.handle.net/10259/5215">
<title>Naturaleza y finalidad de lo cómico en el teatro costumbrista de Orlando Hernández desde los fundamentos teóricos de Henri Bergson</title>
<link>https://hdl.handle.net/10259/5215</link>
<description>Naturaleza y finalidad de lo cómico en el teatro costumbrista de Orlando Hernández desde los fundamentos teóricos de Henri Bergson
López Ortiz, Agustín Carlos
Orlando Hernández Martín was a Canarian playwright, novelist and journalist who became&#13;
very successful in the Canary Islands in the second half of the 20th century. Among his&#13;
dramatic works, it is worth to mention …Y llovió en Arbejales, premiered in 1965. This&#13;
costumbrista piece consists of a satire in which customs, prejudices and vices of an ill society&#13;
are shown. The comical treatment of topics such as corruption in politics, emigration and&#13;
the desire of the characters to escape from an oppressive situation completely meets the&#13;
theoretical idea of the nature and the purpose of the comedy generated by Henri Bergson.&#13;
Moreover, poetic procedures used to create comedy –in accordance with those discussed&#13;
by the philosopher– can be clearly appreciated in this work, according to the philosopher.; The critical works by George Bernard Shaw, whether under the name of GBS or Corno di&#13;
Bassetto, date back to far before he made his debut as a playwright, when he made a living&#13;
as the most feared critic of the London press. Shaw continued practising criticism in the&#13;
long prefaces that he added to his own published works, and in the countless amount of&#13;
letters in which the Irish author unleashed his favourite hobby: giving his opinion on&#13;
everything. This paper aims at reviewing this vast volume of material and tracking the few&#13;
instances when Shaw mentioned Spanish theatre, in order to shape a general overview of&#13;
Shaw’s knowledge and opinion of Spanish drama, and on how these ideas could have had&#13;
an influence in his relationship towards Spain.
</description>
<dc:date>2017-01-01T00:00:00Z</dc:date>
</item>
<item rdf:about="https://hdl.handle.net/10259/5197">
<title>La trayectoria dramatúrgica de Orlando Hernández Martín</title>
<link>https://hdl.handle.net/10259/5197</link>
<description>La trayectoria dramatúrgica de Orlando Hernández Martín
López Ortiz, Agustín Carlos
Este estudio tiene como objetivo transmitir a la comunidad científica la trayectoria dramatúrgica del autor canario Orlando Hernández Martín, sus aportaciones al género dramático y la repercusión de su obra en la sociedad de la época. Para ello, se han extraído del archivo personal del dramaturgo para su análisis tanto las piezas representadas en los escenarios como las publicadas y las inéditas. Paralelamente ha sido necesario acudir a la prensa de la época (segunda mitad del siglo XX) para poder fijar con precisión las fechas de los estrenos y la acogida que tuvo cada pieza por parte de la crítica y del público asistente.; This  paper  is  intended  to  approach  the  career  of  the  Canarian  playwright,  Orlando Hernández Martin, to the scientific community. It also pretends to emphasize his contribution to the dramatic genre and the influence of his work in the society of his time. Thus, pieces of work which have been performed as well as published and unpublished works have been taken from the personal file of the author for their analysis. It has also been necessary to check the press of that  time  (second  half  of  20th  century)  in  order  to  introduce  dates  when  the  works  were premiered and the acceptance by both the critics and the audience.
</description>
<dc:date>2018-09-01T00:00:00Z</dc:date>
</item>
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