Universidad de Burgos RIUBU Principal Default Universidad de Burgos RIUBU Principal Default
  • español
  • English
  • français
  • Deutsch
  • português (Brasil)
  • italiano
Universidad de Burgos RIUBU Principal Default
  • Ayuda
  • Contactez-nous
  • Faire parvenir un commentaire
  • Acceso abierto
    • Archivar en RIUBU
    • Acuerdos editoriales para la publicación en acceso abierto
    • Controla tus derechos, facilita el acceso abierto
    • Sobre el acceso abierto y la UBU
    • español
    • English
    • français
    • Deutsch
    • português (Brasil)
    • italiano
    • español
    • English
    • français
    • Deutsch
    • português (Brasil)
    • italiano
    JavaScript is disabled for your browser. Some features of this site may not work without it.

    Parcourir

    Tout RIUBUCommunautés & CollectionsPar date de publicationAuteursTitresSujetsCette collectionPar date de publicationAuteursTitresSujets

    Mon compte

    Ouvrir une sessionS'inscrire

    Statistiques

    Statistiques d'usage de visualisation

    Compartir

    Voir le document 
    •   Accueil de RIUBU
    • E-Prints
    • Untitled
    • Untitled
    • Untitled
    • Voir le document
    •   Accueil de RIUBU
    • E-Prints
    • Untitled
    • Untitled
    • Untitled
    • Voir le document

    Por favor, use este identificador para citar o enlazar este ítem: http://hdl.handle.net/10259/10094

    Título
    The Dispute for the “People” and Its Songs: A Sonic Battle at the Front and Rearguard during the Spanish Civil War
    Autor
    Díaz Viana, Luis
    Fernández de Mata, IgnacioAutoridad UBU Orcid
    Publicado en
    Music and the Spanish Civil War. p. 25-58
    Editorial
    Peter Lang
    Fecha de publicación
    2021
    ISBN
    9783034331272
    DOI
    https://doi.org/10.3726/b12904
    Résumé
    Music, especially with lyrics, has long accompanied wars, from those fought by the smallest societies to those of the most complex. One need only look at the multitude of warrior chants, marches, hymns, singsongs, airs, ditties, and jingles related to warfare that have been produced throughout time. Many of these songs share a communitarian aim: tying the soldiers’ or warriors’ social and even personal identities to that of the group or the unit, fomenting camaraderie as well as heroism and self-sacrifice. The elements most conducive to such feelings are invoked in the lyrics with references to the patria or homeland; groups of membership or kinship such as family, lineages, or clans; as well as the common religion, the countryside; and of course, the great modern monster, the nation.
    Materia
    Antropología cultural y social
    Ethnology
    España-Historia
    Spain-History
    URI
    http://hdl.handle.net/10259/10094
    Versión del editor
    https://doi.org/10.3726/b12904
    Aparece en las colecciones
    • Untitled
    Fichier(s) constituant ce document
    Nombre:
    Diaz-dispute_people_songs_spanish_civilwar_2021.pdf
    Tamaño:
    719.6Ko
    Formato:
    Adobe PDF
    Thumbnail
    Voir/Ouvrir

    Métricas

    Citas

    Ver estadísticas de uso

    Exportar

    RISMendeleyRefworksZotero
    • edm
    • marc
    • xoai
    • qdc
    • ore
    • ese
    • dim
    • uketd_dc
    • oai_dc
    • etdms
    • rdf
    • mods
    • mets
    • didl
    • premis
    Afficher la notice complète

    Universidad de Burgos

    Powered by MIT's. DSpace software, Version 5.10