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<dc:title>Deepfake Parodies, Technological Spectacle, and Digital Catharsis: The Case of Iberian Son</dc:title>
<dc:creator>Paz-Rebollo, María Antonia</dc:creator>
<dc:creator>Bonaut-Iriarte, Joseba</dc:creator>
<dc:creator>Vicent Ibáñez, Mireya</dc:creator>
<dc:subject>Deepfakes</dc:subject>
<dc:subject>TikTok</dc:subject>
<dc:subject>Artificial intelligence</dc:subject>
<dc:subject>Reception</dc:subject>
<dc:subject>Political humor</dc:subject>
<dc:subject>Political hate speech</dc:subject>
<dc:subject>Pedro Sánchez</dc:subject>
<dc:subject>Inteligencia Artificial</dc:subject>
<dc:subject>Recepción</dc:subject>
<dc:subject>Humor político</dc:subject>
<dc:subject>Odio político</dc:subject>
<dc:description>This study examines 1,919 user comments on 57 deepfakes created by Iberian Son and posted on TikTok, which parody the Spanish Prime Minister, Pedro Sánchez. Content analysis and textual analysis are applied to explore whether the use of AI motivates viewing, what kind of responses they generate, and whether users infer implicit meanings not directly expressed in the videos. The results show that AI not only increases the appeal of the content but also acts as a tool for digital catharsis. The comments reveal that these videos provoke visceral reactions and reactivate latent political hate speech. In addition, they project broader ideological readings, some of which are linked to narratives typical of the far right.</dc:description>
<dc:description>Este estudio examina 1.919 comentarios de usuarios sobre 57 Deepfakes creados por Iberian Son y publicados en TikTok, que parodian al presidente del Gobierno español,  Pedro  Sánchez.  Se  aplica  un  análisis  de  contenido  y  un  análisis  textual  para explorar si el uso de IA motiva el visionado, qué tipo de respuestas generan y si  los  usuarios  infieren  significados  implícitos  no  expresados  directamente  en  los  vídeos.  Los  resultados  muestran  que  IAno  solo  incrementa  el  atractivo  del  contenido,  sino  que  también  actúa  como  herramienta  de  catarsis  digital.  Los  comentarios  revelan  que  estos  vídeos  provocan  reacciones  viscerales  y  reactivan  discursos de odio político latente. Además, los proyectan lecturas ideológicas más amplias,  algunas  de  las  cuales  se  vinculan  con  narrativas  propias  de  la  extrema  derecha.</dc:description>
<dc:date>2025-11-28T12:43:07Z</dc:date>
<dc:date>2025-11-28T12:43:07Z</dc:date>
<dc:date>2025-11</dc:date>
<dc:type>info:eu-repo/semantics/article</dc:type>
<dc:identifier>2695-9631</dc:identifier>
<dc:identifier>https://hdl.handle.net/10259/11112</dc:identifier>
<dc:identifier>10.62161/revvisual.v17.5902</dc:identifier>
<dc:identifier>2695-9631</dc:identifier>
<dc:language>eng</dc:language>
<dc:relation>Visual Review: International Visual Culture Review = Revista Internacional de Cultura Visual. 2025, V. 17, n. 7, p. 189–204</dc:relation>
<dc:relation>https://doi.org/10.62161/revvisual.v17.5902</dc:relation>
<dc:relation>info:eu-repo/grantAgreement/AEI/Plan Estatal de Investigación Científica, Técnica y de Innovación 2021-2023/PID2023-147506OB-I00/ES/DESAFIAR LAS NARRATIVAS ONLINE DE ODIO POLITICO Y DE MISOGINIA/</dc:relation>
<dc:rights>http://creativecommons.org/licenses/by-nd/4.0/</dc:rights>
<dc:rights>info:eu-repo/semantics/openAccess</dc:rights>
<dc:rights>Attribution-NoDerivatives 4.0 Internacional</dc:rights>
<dc:publisher>VisualCOM Scientific Publications</dc:publisher>
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