<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-04-19T18:21:28Z</responseDate><request verb="GetRecord" identifier="oai:riubu.ubu.es:10259/4443" metadataPrefix="oai_dc">https://riubu.ubu.es/oai/request</request><GetRecord><record><header><identifier>oai:riubu.ubu.es:10259/4443</identifier><datestamp>2021-11-10T09:53:34Z</datestamp><setSpec>com_10259_4438</setSpec><setSpec>com_10259_4437</setSpec><setSpec>com_10259.4_106</setSpec><setSpec>com_10259_2604</setSpec><setSpec>col_10259_4439</setSpec></header><metadata><oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:doc="http://www.lyncode.com/xoai" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
<dc:title>How to Disguise Fairy Tales in 21st Century Ireland. A Feminist Analysis of Marian Keyes’ and Cathy Kelly’s Blockbusters</dc:title>
<dc:creator>Barros del Río, María Amor</dc:creator>
<dc:subject>Romantic novel</dc:subject>
<dc:subject>Irish women writers</dc:subject>
<dc:subject>21st century Ireland</dc:subject>
<dc:subject>Marian Keyes</dc:subject>
<dc:subject>Cathy Kelly</dc:subject>
<dc:subject>Literatura irlandesa</dc:subject>
<dc:subject>Irish literature</dc:subject>
<dc:description>Ireland has suffered many extraordinary changes during the last decades that have made the&#xd;
Emerald Isle a geographical point upon which all eyes are fixed. Despite this metamorphosis, the&#xd;
question is if its population and cultural heritage have been able to cope with the times. Known as a&#xd;
traditionally catholic and conservative country, many social aspects remain unchangeable and those&#xd;
that have evolved may still keep an inner glimpse of the old times that is not always easily&#xd;
recognizable.&#xd;
Undoubtedly, women and all subjects related to them have experienced a revolution. However, data&#xd;
show that true equality is still far from being reached. In this context, literature must be taken as a&#xd;
powerful cultural force that helps create stereotypes and a popular conscience. Thus, this article&#xd;
analyses the success of what has been called “women’s literature”, especially Marian Keyes’ and&#xd;
Cathy Kelly’s bestselling books. It also tries to examine to what extent the traditional ideologies of&#xd;
womanhood are present and by which means their female protagonists attach to the old stereotypes&#xd;
under a mask of modernity and economic boom. Finally, their effects on the female Irish population&#xd;
will also be studied in order to demonstrate that globalization and modern capitalism prove to be&#xd;
unable to change the old myths that lie beneath and keep women in a relegated position.</dc:description>
<dc:date>2017-05-02T11:25:27Z</dc:date>
<dc:date>2017-05-02T11:25:27Z</dc:date>
<dc:date>2005</dc:date>
<dc:type>info:eu-repo/semantics/article</dc:type>
<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
<dc:identifier>1699-311X</dc:identifier>
<dc:identifier>http://hdl.handle.net/10259/4443</dc:identifier>
<dc:identifier>10.24162/EI2005-640</dc:identifier>
<dc:language>eng</dc:language>
<dc:relation>Estudios Irlandeses. 2005, n. 0, p. 12-21</dc:relation>
<dc:relation>https://doi.org/10.24162/EI2005-640</dc:relation>
<dc:rights>Attribution-NonCommercial 4.0 International</dc:rights>
<dc:rights>http://creativecommons.org/licenses/by-nc/4.0/</dc:rights>
<dc:rights>info:eu-repo/semantics/openAccess</dc:rights>
<dc:format>application/pdf</dc:format>
<dc:publisher>Asociación Española de Estudios Irlandeses</dc:publisher>
</oai_dc:dc></metadata></record></GetRecord></OAI-PMH>