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oai:riubu.ubu.es:10259/44432021-11-10T09:53:34Zcom_10259_4438com_10259_4437com_10259.4_106com_10259_2604col_10259_4439

Barros del Río, María Amor 53 500 2017-05-02T11:25:27Z 2017-05-02T11:25:27Z 2005 1699-311X http://hdl.handle.net/10259/4443 10.24162/EI2005-640 Ireland has suffered many extraordinary changes during the last decades that have made the Emerald Isle a geographical point upon which all eyes are fixed. Despite this metamorphosis, the question is if its population and cultural heritage have been able to cope with the times. Known as a traditionally catholic and conservative country, many social aspects remain unchangeable and those that have evolved may still keep an inner glimpse of the old times that is not always easily recognizable. Undoubtedly, women and all subjects related to them have experienced a revolution. However, data show that true equality is still far from being reached. In this context, literature must be taken as a powerful cultural force that helps create stereotypes and a popular conscience. Thus, this article analyses the success of what has been called “women’s literature”, especially Marian Keyes’ and Cathy Kelly’s bestselling books. It also tries to examine to what extent the traditional ideologies of womanhood are present and by which means their female protagonists attach to the old stereotypes under a mask of modernity and economic boom. Finally, their effects on the female Irish population will also be studied in order to demonstrate that globalization and modern capitalism prove to be unable to change the old myths that lie beneath and keep women in a relegated position. application/pdf eng Asociación Española de Estudios Irlandeses Estudios Irlandeses. 2005, n. 0, p. 12-21 https://doi.org/10.24162/EI2005-640 Attribution-NonCommercial 4.0 International http://creativecommons.org/licenses/by-nc/4.0/ info:eu-repo/semantics/openAccess Romantic novel Irish women writers 21st century Ireland Marian Keyes Cathy Kelly Literatura irlandesa Irish literature How to Disguise Fairy Tales in 21st Century Ireland. A Feminist Analysis of Marian Keyes’ and Cathy Kelly’s Blockbusters info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion CC-LICENSE license_rdf license_rdf application/rdf+xml; charset=utf-8 914 https://riubu.ubu.es/bitstream/10259/4443/8/license_rdf 24013099e9e6abb1575dc6ce0855efd5 MD5 8 THUMBNAIL Barros-EI_2005.pdf.jpg Barros-EI_2005.pdf.jpg IM Thumbnail image/jpeg 4296 https://riubu.ubu.es/bitstream/10259/4443/7/Barros-EI_2005.pdf.jpg 97346d69d1a73ff940d2a9b6b3d63718 MD5 7 ORIGINAL Barros-EI_2005.pdf Barros-EI_2005.pdf application/pdf 171455 https://riubu.ubu.es/bitstream/10259/4443/1/Barros-EI_2005.pdf a1ac96c851e8c5f3e23b22116c4a37c9 MD5 1 LICENSE license.txt license.txt text/plain; charset=utf-8 998 https://riubu.ubu.es/bitstream/10259/4443/5/license.txt aa90105e1c90a1b4fe810649aa967b7d MD5 5 TEXT Barros-EI_2005.pdf.txt Barros-EI_2005.pdf.txt Extracted text text/plain 47695 https://riubu.ubu.es/bitstream/10259/4443/6/Barros-EI_2005.pdf.txt 6c609d30b9ed79fcd1b2cf3633cb872d MD5 6 10259/4443 oai:riubu.ubu.es:10259/4443 2021-11-10 10:53:34.229 Repositorio Institucional de la Universidad de Burgos bubrep@ubu.es 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