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<dc:creator>Fernández Morales, Marta</dc:creator>
<dc:creator>Menéndez Menéndez, María Isabel</dc:creator>
<dc:date>2016</dc:date>
<dc:description>Inserted in the ongoing discussion about the post-9/11 cultural archive, this paper analyzes&#xd;
the TV series Person of Interest (CBS, 2011–2016), created by Jonathan Nolan, through Frank&#xd;
Furedi’s theories about the discursive formation of fear as presented in his texts Politics of Fear.&#xd;
Beyond Left and Right (2005), Invitation to Terror. The Expanding Empire of the Unknown (2007),&#xd;
The Only Thing We Have to Fear Is the ‘Culture of Fear’ Itself (2007), and Precautionary Culture and&#xd;
the Rise of Possibilistic Risk Assessment (2009). We make these works converse with several&#xd;
American and European sociological views, offering a transnational perspective over the issues at&#xd;
hand. With an interdisciplinary approach and with a critical-cultural methodology supported by&#xd;
selected instances from the first four seasons of the show, we argue that, despite timid hints at a&#xd;
critique of the flawed American democracy, the show feeds into an ever-growing array of media&#xd;
proposals of a citizenship based on precaution, contributing to the reinforcement of the post-9/11&#xd;
atmosphere of fear through a logic predicated on inevitability and a deflated sense of agency on the&#xd;
part of common people that discourages practices of resistance.</dc:description>
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<dc:identifier>http://hdl.handle.net/10259/4720</dc:identifier>
<dc:language>eng</dc:language>
<dc:publisher>Universidad Complutense de Madrid</dc:publisher>
<dc:title>The discourse of fear in american TV fiction: a furedian reading of person of interest</dc:title>
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