2026-04-29T20:04:05Zhttps://riubu.ubu.es/oai/request

oai:riubu.ubu.es:10259/52152021-11-09T12:12:35Zcom_10259_5195com_10259_4437com_10259.4_106com_10259_2604col_10259_5214

López Ortiz, Agustín Carlos dede1490-4542-4001-ac25-9d8c5afe87b4 500 2020-01-24T09:29:34Z 2020-01-24T09:29:34Z 2017 http://hdl.handle.net/10259/5215 Orlando Hernández Martín was a Canarian playwright, novelist and journalist who became very successful in the Canary Islands in the second half of the 20th century. Among his dramatic works, it is worth to mention …Y llovió en Arbejales, premiered in 1965. This costumbrista piece consists of a satire in which customs, prejudices and vices of an ill society are shown. The comical treatment of topics such as corruption in politics, emigration and the desire of the characters to escape from an oppressive situation completely meets the theoretical idea of the nature and the purpose of the comedy generated by Henri Bergson. Moreover, poetic procedures used to create comedy –in accordance with those discussed by the philosopher– can be clearly appreciated in this work, according to the philosopher. The critical works by George Bernard Shaw, whether under the name of GBS or Corno di Bassetto, date back to far before he made his debut as a playwright, when he made a living as the most feared critic of the London press. Shaw continued practising criticism in the long prefaces that he added to his own published works, and in the countless amount of letters in which the Irish author unleashed his favourite hobby: giving his opinion on everything. This paper aims at reviewing this vast volume of material and tracking the few instances when Shaw mentioned Spanish theatre, in order to shape a general overview of Shaw’s knowledge and opinion of Spanish drama, and on how these ideas could have had an influence in his relationship towards Spain. application/pdf spa Editum, Ediciones de la Universidad de Murcia Estudios teatrales: nuevas perspectivas y visiones comparadas https://libros.um.es/editum/catalog/book/1881 http://creativecommons.org/licenses/by-nc-nd/3.0/ Attribution-NonCommercial-NoDerivs 3.0 Unported info:eu-repo/semantics/openAccess Orlando Hernández Henri Bergson teatro costumbrista lo cómico procedimientos cómicos costumbrista drama the comedy comedy procedures Teatro Theater Naturaleza y finalidad de lo cómico en el teatro costumbrista de Orlando Hernández desde los fundamentos teóricos de Henri Bergson info:eu-repo/semantics/bookPart info:eu-repo/semantics/publishedVersion TEXT Lopez-naturaleza_y_finalidad.pdf.txt Lopez-naturaleza_y_finalidad.pdf.txt Extracted text text/plain 31200 https://riubu.ubu.es/bitstream/10259/5215/5/Lopez-naturaleza_y_finalidad.pdf.txt 894c1c6380d21473ca0487214cfbdaaf MD5 5 THUMBNAIL Lopez-naturaleza_y_finalidad.pdf.jpg Lopez-naturaleza_y_finalidad.pdf.jpg IM Thumbnail image/jpeg 4055 https://riubu.ubu.es/bitstream/10259/5215/4/Lopez-naturaleza_y_finalidad.pdf.jpg f47db1f5d481b31f27071c5c85165e5d MD5 4 LICENSE license.txt license.txt text/plain; charset=utf-8 999 https://riubu.ubu.es/bitstream/10259/5215/3/license.txt b295bcbce42e2caabeb0c623d3860c06 MD5 3 CC-LICENSE license_rdf license_rdf application/rdf+xml; charset=utf-8 805 https://riubu.ubu.es/bitstream/10259/5215/2/license_rdf c25aca2c744d1595337d59fd646768ec MD5 2 ORIGINAL Lopez-naturaleza_y_finalidad.pdf Lopez-naturaleza_y_finalidad.pdf application/pdf 190736 https://riubu.ubu.es/bitstream/10259/5215/1/Lopez-naturaleza_y_finalidad.pdf 3c375f1e9ff5b9179772dd0911a1ec3b MD5 1 10259/5215 oai:riubu.ubu.es:10259/5215 2021-11-09 13:12:35.846 Repositorio Institucional de la Universidad de Burgos bubrep@ubu.es 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