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<field name="value">Iglesias Rouco, Lena Saladina</field>
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<field name="value">Zaparaín Yáñez, Mª José</field>
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<field name="confidence">600</field>
<field name="orcid_id">0000-0002-1443-4964</field>
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<field name="value">2015</field>
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<field name="value">El rico patrimonio que hoy disfrutamos representa un&#xd;
largo proceso histórico, “el fluir del tiempo”, en el que va reelaborándose&#xd;
cuanto nos es legado. Bajo esta comprensión, se analizan los&#xd;
cambios experimentados por la villa de Briviesca en los siglos XVII&#xd;
y XVIII de acuerdo a la óptica barroca.&#xd;
Tras haberse destacado, en una primera publicación (1), las transformaciones&#xd;
que afectan a su conjunto urbano y edificios religiosos, se&#xd;
aborda el estudio de la personalidad de quienes las hicieron posibles,&#xd;
es decir, los promotores y los profesionales implicados en su realización.&#xd;
En ese sentido, queda patente el importante papel desempeñado&#xd;
por quienes ocupaban posiciones privilegiadas dentro del conjunto&#xd;
social, es decir, determinadas familias ligadas a la nobleza o&#xd;
a la propia institución eclesiástica. Y a la vez, en conexión con los diferentes&#xd;
promotores, se halla la elección de profesionales para llevar a&#xd;
cabo las diferentes obras. Entre ellos, se encuentra una amplia nómina&#xd;
de maestros procedentes de Trasmiera y País Vasco los cuales&#xd;
serán sustituidos, ya en el tránsito a la contemporaneidad, por individuos&#xd;
con titulación académica.</field>
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<field name="value">The valuable cultural heritage that we currently enjoy&#xd;
represents a long historical process, "the flowing of time", in which&#xd;
what has been bequeathed to us is being reelaborated. Under this&#xd;
comprehension, the transformations that the borough of Briviesca&#xd;
experienced in the XVIIIth century are being analysed according to&#xd;
the Baroque point of view.&#xd;
After being pointed out in a first publication the transformations&#xd;
that affect its urban set and religious buildings, it is approached the&#xd;
study of the personality of those who made them possible, that it is&#xd;
to say, the promoters and the professionals implicated in its fulfilment.&#xd;
In that sense, it is stated the important role played by those&#xd;
who held privileged positions in the social group, that is to say certain&#xd;
famillies bounded to nobility, or to the ecclesiastical institution&#xd;
itself. And at the same time, in connection with the different promoters&#xd;
it is located the choice of professionals to accomplish the&#xd;
different constructions. Among them, it is found a large list of masters&#xd;
coming from Trasmiera and the Basque Country, those who will&#xd;
be replaced in the transition to contemporary times, by members with&#xd;
accademic qualification.</field>
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<field name="value">spa</field>
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<field name="value">Institución Fernán González</field>
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<field name="value">Boletín de la Institución Fernán González. 2015/2, Año 94, n. 251, p. 451-476</field>
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<field name="value">Arquitectura</field>
<field name="value">Urbanismo</field>
<field name="value">Barroco</field>
<field name="value">Profesionales cántabros y vascos</field>
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<field name="value">Urbanism</field>
<field name="value">Baroque</field>
<field name="value">Cantabro and Basque professionals</field>
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<field name="value">Arquitectura-Burgos</field>
<field name="value">Arte-Burgos</field>
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<field name="value">Architecture-Burgos</field>
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<field name="value">Burgos-History</field>
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<field name="value">Briviesca y su arquitectura en los siglos XVII y XVIII: los promotores y profesionales (II)</field>
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