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<dc:title>En torno al proyecto de sacristía para la catedral de Burgos de Fray Antonio de San José Pontones. 1759</dc:title>
<dc:creator>Iglesias Rouco, Lena Saladina</dc:creator>
<dc:creator>Matesanz del Barrio, José</dc:creator>
<dc:subject>Arquitectura</dc:subject>
<dc:subject>Catedral de Burgos</dc:subject>
<dc:subject>Sacristía</dc:subject>
<dc:subject>Barroco</dc:subject>
<dc:subject>Fray Antonio de San José Pontones</dc:subject>
<dc:subject>Architecture</dc:subject>
<dc:subject>Cathedral of Burgos</dc:subject>
<dc:subject>Vestry</dc:subject>
<dc:subject>Sacristy</dc:subject>
<dc:subject>Baroque</dc:subject>
<dc:description>Desde el siglo XVI, el Arzobispado y Cabildo de Burgos alimentaron el propósito de levantar una&#xd;
nueva sacristía en correspondencia con la solemnidad del culto que se celebraba en la Catedral.&#xd;
A pesar de los distintos intentos, solo se alcanza tal objetivo de forma definitiva ya avanzado el&#xd;
siglo XVIII. Entonces, el prestigioso maestro jerónimo fray Antonio de San José Pontones elaboró un proyecto que se ha localizado recientemente. Y, aunque tampoco se llevó a cabo, resulta un&#xd;
interesante testimonio del universo en el que se movía la Seo burgalesa en el contexto del último&#xd;
barroco.</dc:description>
<dc:description>Since the 16th Century, the Archbishopric and the Town Council of Burgos intended to carry out&#xd;
a new vestry for the Cathedral in accordance to worship celebrations held back then. After several&#xd;
attempts, such goal was achieved only by the last decades of the 18th century. In this context,&#xd;
the prestigious Jerome master friar Antonio de San José Pontones developped a Project that has&#xd;
been recently brought to light. And even when the plan was never materialised, proved to be an&#xd;
important evidence of the atmosphere in which the Cathedral was building on those days, in the&#xd;
baroque sunset.</dc:description>
<dc:date>2023-02-01T07:46:20Z</dc:date>
<dc:date>2023-02-01T07:46:20Z</dc:date>
<dc:date>2022-07</dc:date>
<dc:type>info:eu-repo/semantics/article</dc:type>
<dc:identifier>2952-1084</dc:identifier>
<dc:identifier>http://hdl.handle.net/10259/7359</dc:identifier>
<dc:identifier>10.36443/sarmental.38</dc:identifier>
<dc:identifier>2952-1084</dc:identifier>
<dc:language>spa</dc:language>
<dc:relation>Sarmental. 2022, n. 1, p. 191-202</dc:relation>
<dc:relation>https://doi.org/10.36443/sarmental.38</dc:relation>
<dc:rights>http://creativecommons.org/licenses/by-nc-nd/4.0/</dc:rights>
<dc:rights>info:eu-repo/semantics/openAccess</dc:rights>
<dc:rights>Attribution-NonCommercial-NoDerivatives 4.0 Internacional</dc:rights>
<dc:publisher>Universidad de Burgos. Cátedra de Estudios del Patrimonio Artístico Alberto C. Ibáñez</dc:publisher>
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