2026-04-28T19:54:07Zhttps://riubu.ubu.es/oai/request

oai:riubu.ubu.es:10259/88812024-04-05T07:08:39Zcom_10259_7207com_10259_4437com_10259.4_106com_10259_2604col_10259_7208

Marías Martínez, Clara 313138ff-0603-47a1-90eb-f0a3b3bf63b3 600 2024-04-04T12:48:53Z 2024-04-04T12:48:53Z 2017-07 0028-2677 http://hdl.handle.net/10259/8881 10.1007/s11061-016-9517-1 1572-8668 Among the romances noticieros (news-bearing ballads) from the time of Fernando and Isabel -ballads which form part of the erudite, courtly cancioneril poetry when composed by known authors, and part of the popular tradition when we know of only anonymous traditional versions- the ballads that recount the deaths of princes and monarchs are especially noteworthy. Given the political importance and social ramifications of such events, it is not surprising that they inspired compositions which, at times, focus on the consequences for the realm (the problem of succession, political instability, the power vacuum); at other times, they eulogize the deceased and reflect the authors’ attempts to ingratiate themselves with the powerful and express their loyalty; and still others include the most personal touches: the loved ones’ grief over their loss, the dying ruler’s attitude toward death and his final arrangements. Although two of these ballads enjoyed such widespread appeal that they survived in the oral tradition of modern times, the present article focuses on the versions that are most closely contemporary with the events they relate. This study endeavours to compare the poetic treatments of death and the differences among the poets’ perspectives in five ballads that originate in the final decades of the fifteenth century and the first years of the sixteenth century; these five ballads recount the death of the crown prince of Portugal, the death of the royal heir of Castille and Aragon, and the death of the king of Castille, and the king of Aragon, respectively. With this focus, the present study undertakes to determine to what extent the different representations of the ruler’s death, and the erudite or traditional nature of a particular ballad, are related to the texts’ dissemination and survival. Esta investigación ha sido realizada gracias al contrato de la Fundación Ramón Menéndez Pidal-Fundación Bancaria La Caixa (2014–2017), y se enmarca en el proyecto “Catalogación, digitalización y edición del romancero tradicional de las lenguas hispánicas. Romances épicos e históricos de referente hispánico y francés” (Ministerio de Economía y Competitividad, I + D+i FFI201454368-P). application/pdf spa Springer Neophilologus. 2017, V. 101, n. 3, p. 399-416 https://doi.org/10.1007/s11061-016-9517-1 info:eu-repo/grantAgreement/MINECO//FFI201454368-P/ES/CATALOGACION, DIGITALIZACION Y EDICION DEL ROMANCERO TRADICIONAL DE LAS LENGUAS HISPANICAS. ROMANCES EPICOS E HISTORICOS DE REFERENTE HISPANICO Y FRANCES/ Hispanic Balladry Elegy Prince Alfonso of Portugal Prince John of Castile and Aragon Philip the Handsome Ferdinand the Catholic Literatura española Spanish literature Las muertes en torno a los Reyes Católicos en el Romancero trovadoresco y tradicional info:eu-repo/semantics/article info:eu-repo/semantics/acceptedVersion info:eu-repo/semantics/openAccess Neophilologus 101 3 399 416 THUMBNAIL Marias-Neophilologus_2017.pdf.jpg Marias-Neophilologus_2017.pdf.jpg IM Thumbnail image/jpeg 5671 https://riubu.ubu.es/bitstream/10259/8881/3/Marias-Neophilologus_2017.pdf.jpg 99e82d77833b6322f439aa8cadc985f4 MD5 3 LICENSE license.txt license.txt text/plain; charset=utf-8 1362 https://riubu.ubu.es/bitstream/10259/8881/2/license.txt 5d013bfa6e473ff0db22cd82a4d71a70 MD5 2 ORIGINAL Marias-Neophilologus_2017.pdf Marias-Neophilologus_2017.pdf application/pdf 130213 https://riubu.ubu.es/bitstream/10259/8881/1/Marias-Neophilologus_2017.pdf dca62d304c1bde9c8e86089be7d93e84 MD5 1 10259/8881 oai:riubu.ubu.es:10259/8881 2024-04-05 09:08:39.869 Repositorio Institucional de la Universidad de Burgos bubrep@ubu.es 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