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<title>Artículos ARHISMO</title>
<link href="https://hdl.handle.net/10259/8416" rel="alternate"/>
<subtitle/>
<id>https://hdl.handle.net/10259/8416</id>
<updated>2026-05-14T11:10:31Z</updated>
<dc:date>2026-05-14T11:10:31Z</dc:date>
<entry>
<title>El laureado pintor Asterio Mañanós y su galería de personajes ilustres (1922-1929), aproximación a un conjunto pictórico parcialmente desaparecido</title>
<link href="https://hdl.handle.net/10259/11618" rel="alternate"/>
<author>
<name>Hoyos Alonso, Julián</name>
</author>
<id>https://hdl.handle.net/10259/11618</id>
<updated>2026-05-14T08:31:39Z</updated>
<published>2024-11-01T00:00:00Z</published>
<summary type="text">El laureado pintor Asterio Mañanós y su galería de personajes ilustres (1922-1929), aproximación a un conjunto pictórico parcialmente desaparecido
Hoyos Alonso, Julián
Entre 1922 y 1929 Asterio Mañanós pintó los retratos de cuatro palentinos ilustres: Jorge Manrique, Alonso Berruguete, Íñigo López de Mendoza y Modesto Lafuente; quienes habían destacado, en diferentes momentos de la historia, por sus contribuciones en los campos de las artes, de las letras y de los estudios históricos. Aquellas pinturas fueron presentadas, en años sucesivos, a las Exposiciones Nacionales de Bellas Artes y Universal de Barcelona. En el presente trabajo se analiza el origen del encargo, las obras y sus posibles fuentes de inspiración, la valoración crítica por parte de sus contemporáneos y la fortuna posterior.; Between 1922 and 1929 Asterio Mañanós painted the portraits of four illustrious Palencia-born artists: Jorge Manrique, Alonso Berruguete, Íñigo López de Mendoza and Modesto Lafuente, who had stood out at different periods in history for their contributions in the fields of the arts, literature and historical studies. These paintings were presented in successive years at the National Fine Arts and Universal Exhibition in  Barcelona.  This  paper  analyses  the  origin  of  the  commission,  the  works  and  their  possible sources of inspiration, the critical appraisal by his contemporaries and their subsequent fortunes.
</summary>
<dc:date>2024-11-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>The Virtual Reconstruction of a Statue of Isis Unearthed at the Roman City of Clunia (Spain): A 3D Model for Interactive Virtual Reality Experiences</title>
<link href="https://hdl.handle.net/10259/11535" rel="alternate"/>
<author>
<name>Rodríguez García, Bruno</name>
</author>
<author>
<name>Corchia, Laura</name>
</author>
<author>
<name>Zaparaín Yáñez, Mª José</name>
</author>
<author>
<name>De Paolis, Lucio Tommaso</name>
</author>
<id>https://hdl.handle.net/10259/11535</id>
<updated>2026-04-23T00:05:41Z</updated>
<published>2026-03-01T00:00:00Z</published>
<summary type="text">The Virtual Reconstruction of a Statue of Isis Unearthed at the Roman City of Clunia (Spain): A 3D Model for Interactive Virtual Reality Experiences
Rodríguez García, Bruno; Corchia, Laura; Zaparaín Yáñez, Mª José; De Paolis, Lucio Tommaso
This research aims to contribute to the advancement of technologies applied to the conservation, reconstruction, anddissemination of Cultural Heritage, such as photogrammetry, 3D modeling, Virtual Agents, and Virtual Reality. To this end, thevirtual reconstruction process of a Roman alabaster sculpture of the Goddess Isis is presented and assessed in a comprehensiveand systematic procedure. Unearthed at the Roman city of Clunia (province of Burgos, Spain), the sculpture dates back toapproximately the 2nd c. AD. The virtual reconstruction depicts both existing and missing features, based on the remainsand comparisons with other extant representations of the goddess. The generated 3D model was designed to function as aVirtual Agent in interactive experiences. Moreover, discrepancy, detail and vertex concentration analyses of the model yieldedsatisfactory results. The visualization of the 3D model was tested in an interactive Virtual Reality experience at the Museumof Burgos with 60 participants, whose evaluations were highly positive. Clustering of participant responses revealed behaviorpatterns that were primarily associated with age and previous experience with Virtual Reality. The 3D model of the virtualreconstruction is open access and free to download.
</summary>
<dc:date>2026-03-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Emulación cortesana y devoción en la promoción artística de María de Lazcano (1593-1664) en Guipúzcoa</title>
<link href="https://hdl.handle.net/10259/10776" rel="alternate"/>
<author>
<name>Hoyos Alonso, Julián</name>
</author>
<id>https://hdl.handle.net/10259/10776</id>
<updated>2025-07-31T07:25:06Z</updated>
<published>2024-12-01T00:00:00Z</published>
<summary type="text">Emulación cortesana y devoción en la promoción artística de María de Lazcano (1593-1664) en Guipúzcoa
Hoyos Alonso, Julián
Reseñas bibliográficas
</summary>
<dc:date>2024-12-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>El dibujo en el proceso creativo de las artes. Trazas y diseños navarros, 1500-1800. Ricardo Fernández Gracia (dir. y ed.)</title>
<link href="https://hdl.handle.net/10259/10775" rel="alternate"/>
<author>
<name>Hoyos Alonso, Julián</name>
</author>
<author>
<name>Zaparaín Yáñez, Mª José</name>
</author>
<id>https://hdl.handle.net/10259/10775</id>
<updated>2025-07-31T07:26:58Z</updated>
<published>2024-12-01T00:00:00Z</published>
<summary type="text">El dibujo en el proceso creativo de las artes. Trazas y diseños navarros, 1500-1800. Ricardo Fernández Gracia (dir. y ed.)
Hoyos Alonso, Julián; Zaparaín Yáñez, Mª José
Reseñas bibliográficas
</summary>
<dc:date>2024-12-01T00:00:00Z</dc:date>
</entry>
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