https://hdl.handle.net/10259/8287 2026-04-19T21:00:26Z https://hdl.handle.net/10259/11343 Female roles in La Cinta Dorada by María Manuela Reina and models of the world Aguilar López, Ana María; Miguel Borge, Marta Our model of the world that we perceive within ourselves, our conscience, in short, our psychological balance is influenced by our surroundings. Part of the input to which we are exposed in this immediate environment is related to texts, self-managed discourse, which can also influence our internal model of the world; hence they are deserving of our attention. In the same way as the models of the world that we construct throughout our lives, reality is not static and also changes as time goes by. From a social point of view, we can see that the roles of women in modern-day society and the ways that those roles can be perceived today are a consequence of changes initiated in the past within different areas and in a prolonged process over time up until our day. With the aim of evaluating whether female drama has contributed to that change, we present an analysis in this paper of the play La Cinta Dorada [The Golden Ribbon] by María Manuela Reina, written and set in the 1980s, a decade that for Spain implied a more obvious abandonment of the most traditional conceptions of the role of women. In the analysis of the play, we see how the models of the world of the older people are counterposed with those of the younger people, a generational divide that is enriched with the gender difference, as we also analyze how the psychological structures of the female and male characters confront the clichés pertaining to another era in reference to such topics as success, infidelity, matrimony, and gender. The results of our analysis demonstrate how Reina responds to archaic conceptions, thereby inciting the audiences of the day to question their respective models of the world, especially, with regard to the role of the woman in society. 2021-06-01T00:00:00Z https://hdl.handle.net/10259/8295 Falsificaciones y procesos judiciales. Contexto de producción y utilización de un supuesto original del monasterio de San Pedro de Cardeña Serna Serna, Sonia; Escalona, Julio El documento más antiguo existente en el Archivo Histórico de la Nobleza (OSUNA, CP. 37, D. 9) es un pergamino en escritura visigótica datado a 26 de diciembre de 943. Contiene una donación de Asur Fernández –entonces conde de Castilla– y su mujer Gontroda, al monasterio castellano de Cardeña. Podría tratarse del más antiguo original superviviente del archivo cardeniense, en su mayor parte perdido. Por medio de un exhaustivo estudio paleográfico y diplomático y el rastreo de su transmisión textual, se ha podido establecer que el documento, efectivamente, formó parte del archivo cardeniense, pero se trata de una falsificación elaborada en el siglo XII a partir de un modelo genuino del siglo X, hoy perdido. Por otra parte, el diploma se ha transmitido formando parte de un conjunto de documentos del siglo XIII relacionados con uno de los procesos judiciales en los que se utilizó como prueba, lo que ilumina el uso judicial de documentos falsificados.; The oldest document preserved in the Archivo Histórico de la Nobleza (OSUNA, CP. 37,D. 9) is a parchment in Visigothic script dated December 26, 943. It is a donation from Asur Fernández –count of Castile at that time– and his wife, Countess Gontroda, to San Pedro de Cardeña, the most important Castilian monastery of that period. Given that most of the Cardeña documentary collection is considered lost, this could be the oldest surviving original from the monastic archive. Through an exhaustive palaeographical and diplomatic study of the parchment, as well as by tracing its textual transmission, it has been possible to establish that the document was indeed part of the Cardeña collection, but it is a forgery made in the twelfth century, on the basis of a genuine, now lost tenth-century model. On the other hand, this charter has been transmitted as part of a thirteenth-century collection related to one of the lawsuits in which it was used as evidence. This collection deserves attention, both for its intrinsic diplomatic interest and for the light it sheds on the judicial use of forged documents. 2022-12-01T00:00:00Z https://hdl.handle.net/10259/8293 El Pasionario del monasterio de San Pedro de Cardeña (British Library, Add. Ms. 25600): nuevas aportaciones sobre su datación y autoría Serna Serna, Sonia El Pasionario de Cardeña, manuscrito actualmente conservado en la British Library de Londres (Add. Ms. 25600), ha acaparado la atención de numerosos especialistas, especialmente desde comienzos del siglo pasado. A partir de esos primeros trabajos, la autoría y la datación del Pasionario ha venido suscitando ciertas controversias. De una primera adscripción al copista Gómez, en el año 919, se propuso después otro scriptor, Endura, y una cronología algo posterior, mitad del siglo x. Los análisis llevados a cabo para el presente trabajo nos llevan a plantear otras hipótesis que se alejan de ambos escribas y a descartar, definitivamente, el año 919 para este manuscrito.; The Passionary of Cardeña, a manuscript currently preserved in the British Library in London (Add. Ms. 25600), has been the subject of numerous studies, especially since the beginning of the last century. Since those early works, the authorship and dating of the Passionary has been the subject of some controversy. Starting from a first attribution to the copyist Gómez, in the year 919, another scriptor, Endura, was later proposed, dating the manuscript to a later chronology, the middle of the 10th century. The analyses carried out by the present study lead us to propose other hypotheses that move away from both copyist and to definitively rule out the year 919 for this manuscript 2023-05-01T00:00:00Z