https://hdl.handle.net/10259/5214 Mon, 20 Apr 2026 15:55:09 GMT 2026-04-20T15:55:09Z https://hdl.handle.net/10259/5376 Voces de medicinas en un inventario de bienes del siglo XVII Perdiguero Villarreal, Hermógenes Los términos de medicinas presentes en los diccionarios proceden por lo general de textos médicos o farmacéuticos. Su presencia en un inventario de bienes del año 1622 ha permitido detectar algunas voces de este ámbito científico no recogidas en los diccionarios y formas no registradas de otros vocablos. Se estudian aquí los términos de medicinas de mayor interés filológico, aportando datos sobre su origen, documentación, variación y significado, teniendo en cuenta un catálogo de productos medicinales de finales del siglo xvi.; The terms related to medicines present in dictionaries usually come from medical or pharmaceutical texts. Their presence in an inventory of goods of the year 1622 has made it possible to detect some voices of this scientific field not included in the dictionaries and unregistered forms of other words. The terms of medicines of greater philological interest are studied here, providing information about their origin, documentation, variation and meaning, having as a reference a catalog of medicinal products from the late sixteenth century. Tue, 01 Jan 2019 00:00:00 GMT https://hdl.handle.net/10259/5376 2019-01-01T00:00:00Z https://hdl.handle.net/10259/5215 Naturaleza y finalidad de lo cómico en el teatro costumbrista de Orlando Hernández desde los fundamentos teóricos de Henri Bergson López Ortiz, Agustín Carlos Orlando Hernández Martín was a Canarian playwright, novelist and journalist who became very successful in the Canary Islands in the second half of the 20th century. Among his dramatic works, it is worth to mention …Y llovió en Arbejales, premiered in 1965. This costumbrista piece consists of a satire in which customs, prejudices and vices of an ill society are shown. The comical treatment of topics such as corruption in politics, emigration and the desire of the characters to escape from an oppressive situation completely meets the theoretical idea of the nature and the purpose of the comedy generated by Henri Bergson. Moreover, poetic procedures used to create comedy –in accordance with those discussed by the philosopher– can be clearly appreciated in this work, according to the philosopher.; The critical works by George Bernard Shaw, whether under the name of GBS or Corno di Bassetto, date back to far before he made his debut as a playwright, when he made a living as the most feared critic of the London press. Shaw continued practising criticism in the long prefaces that he added to his own published works, and in the countless amount of letters in which the Irish author unleashed his favourite hobby: giving his opinion on everything. This paper aims at reviewing this vast volume of material and tracking the few instances when Shaw mentioned Spanish theatre, in order to shape a general overview of Shaw’s knowledge and opinion of Spanish drama, and on how these ideas could have had an influence in his relationship towards Spain. Sun, 01 Jan 2017 00:00:00 GMT https://hdl.handle.net/10259/5215 2017-01-01T00:00:00Z