<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-09-06T17:19:33Z</responseDate><request verb="GetRecord" identifier="oai:riubu.ubu.es:10259/10783" metadataPrefix="dim">https://riubu.ubu.es/oai/request</request><GetRecord><record><header><identifier>oai:riubu.ubu.es:10259/10783</identifier><datestamp>2025-08-01T00:05:23Z</datestamp><setSpec>com_10259_7355</setSpec><setSpec>com_10259_7353</setSpec><setSpec>com_10259_2604</setSpec><setSpec>col_10259_10770</setSpec></header><metadata><dim:dim xmlns:dim="http://www.dspace.org/xmlns/dspace/dim" xmlns:doc="http://www.lyncode.com/xoai" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
<dim:field mdschema="dc" element="contributor" qualifier="author" authority="859be13a-5839-49d7-bf31-4e7da5bfc1b0" confidence="600" orcid_id="">García-Manso, Angélica</dim:field>
<dim:field mdschema="dc" element="date" qualifier="accessioned">2025-07-31T09:45:22Z</dim:field>
<dim:field mdschema="dc" element="date" qualifier="available">2025-07-31T09:45:22Z</dim:field>
<dim:field mdschema="dc" element="date" qualifier="issued">2024-12</dim:field>
<dim:field mdschema="dc" element="identifier" qualifier="issn">2952-1084</dim:field>
<dim:field mdschema="dc" element="identifier" qualifier="uri">https://hdl.handle.net/10259/10783</dim:field>
<dim:field mdschema="dc" element="identifier" qualifier="doi">10.36443/sarmental.74</dim:field>
<dim:field mdschema="dc" element="identifier" qualifier="essn">2952-1084</dim:field>
<dim:field mdschema="dc" element="description" lang="es">Artículos</dim:field>
<dim:field mdschema="dc" element="description" qualifier="abstract" lang="es">Se analiza la estética del “Street Art” como patrimonio asociado a un entorno predominantemente rural en la región española de Extremadura. Para ello se eligen varios aspectos: dos artistas locales, responsables de buena parte de los murales contemporáneos en el entorno; el uso de telas como leit-motiv en una pared a la manera de lienzo y, finalmente, la evolución estética de sendos creadores. Se descubre cómo, aun como arte efímero, se asocia la tela a la práctica antropológica de las mujeres rurales y se reivindica como postura política frente a la denominada “España vaciada”.</dim:field>
<dim:field mdschema="dc" element="description" qualifier="abstract" lang="en">The aesthetics of ‘Street Art’ as a heritage associated with a predominantly rural environment in the Spanish region of Extremadura is analysed. Several aspects are chosen for this purpose: two local artists, responsible for a large part of the contemporary murals in the area; the use of canvas as a leit-motiv on a wall; and, finally, the aesthetic evolution of the two creators. We discover how, even as ephemeral art, the canvas is associated with the anthropological practice of rural women and is claimed as a political stance in the face of the so-called ‘empty Spain’.</dim:field>
<dim:field mdschema="dc" element="format" qualifier="mimetype">application/pdf</dim:field>
<dim:field mdschema="dc" element="language" qualifier="iso" lang="es">spa</dim:field>
<dim:field mdschema="dc" element="publisher" lang="es">Universidad de Burgos. Cátedra de Estudios del Patrimonio Artístico Alberto C. Ibáñez</dim:field>
<dim:field mdschema="dc" element="relation" qualifier="ispartof" lang="es">Sarmental. 2024, n. 3, p. 109-122</dim:field>
<dim:field mdschema="dc" element="relation" qualifier="publisherversion">https://doi.org/10.36443/sarmental.74</dim:field>
<dim:field mdschema="dc" element="rights" lang="*">Attribution-NonCommercial-NoDerivatives 4.0 Internacional</dim:field>
<dim:field mdschema="dc" element="rights" qualifier="uri" lang="*">http://creativecommons.org/licenses/by-nc-nd/4.0/</dim:field>
<dim:field mdschema="dc" element="rights" qualifier="accessRights" lang="es">info:eu-repo/semantics/openAccess</dim:field>
<dim:field mdschema="dc" element="subject" lang="es">Arte mural rural</dim:field>
<dim:field mdschema="dc" element="subject" lang="es">Muralismo en Extremadura</dim:field>
<dim:field mdschema="dc" element="subject" lang="es">Trampantojos de tejidos representados</dim:field>
<dim:field mdschema="dc" element="subject" lang="es">Sojo</dim:field>
<dim:field mdschema="dc" element="subject" lang="es">Brea</dim:field>
<dim:field mdschema="dc" element="subject" qualifier="other" lang="es">Pintura mural)</dim:field>
<dim:field mdschema="dc" element="subject" qualifier="other" lang="es">Mural painting and decoration</dim:field>
<dim:field mdschema="dc" element="title" lang="es">La configuración de un nuevo patrimonio. La pared como lienzo en los murales rurales de los artistas extremeños Sojo y Brea</dim:field>
<dim:field mdschema="dc" element="title" qualifier="alternative" lang="en">The configuration of a new heritage. The wall as a canvas in the rural murals by the artists Sojo and Brea from Extremadura (Spain)</dim:field>
<dim:field mdschema="dc" element="type" lang="es">info:eu-repo/semantics/article</dim:field>
<dim:field mdschema="dc" element="type" qualifier="hasVersion" lang="es">info:eu-repo/semantics/publishedVersion</dim:field>
<dim:field mdschema="dc" element="journal" qualifier="title" lang="es">SARMENTAL. Estudios de Historia del Arte y Patrimonio</dim:field>
<dim:field mdschema="dc" element="issue" qualifier="number" lang="es">3</dim:field>
<dim:field mdschema="dc" element="page" qualifier="initial" lang="es">109</dim:field>
<dim:field mdschema="dc" element="page" qualifier="final" lang="es">122</dim:field>
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