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<dc:creator>López Ortiz, Agustín Carlos</dc:creator>
<dc:date>2017</dc:date>
<dc:description>Orlando Hernández Martín was a Canarian playwright, novelist and journalist who became&#xd;
very successful in the Canary Islands in the second half of the 20th century. Among his&#xd;
dramatic works, it is worth to mention …Y llovió en Arbejales, premiered in 1965. This&#xd;
costumbrista piece consists of a satire in which customs, prejudices and vices of an ill society&#xd;
are shown. The comical treatment of topics such as corruption in politics, emigration and&#xd;
the desire of the characters to escape from an oppressive situation completely meets the&#xd;
theoretical idea of the nature and the purpose of the comedy generated by Henri Bergson.&#xd;
Moreover, poetic procedures used to create comedy –in accordance with those discussed&#xd;
by the philosopher– can be clearly appreciated in this work, according to the philosopher.</dc:description>
<dc:description>The critical works by George Bernard Shaw, whether under the name of GBS or Corno di&#xd;
Bassetto, date back to far before he made his debut as a playwright, when he made a living&#xd;
as the most feared critic of the London press. Shaw continued practising criticism in the&#xd;
long prefaces that he added to his own published works, and in the countless amount of&#xd;
letters in which the Irish author unleashed his favourite hobby: giving his opinion on&#xd;
everything. This paper aims at reviewing this vast volume of material and tracking the few&#xd;
instances when Shaw mentioned Spanish theatre, in order to shape a general overview of&#xd;
Shaw’s knowledge and opinion of Spanish drama, and on how these ideas could have had&#xd;
an influence in his relationship towards Spain.</dc:description>
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<dc:identifier>http://hdl.handle.net/10259/5215</dc:identifier>
<dc:language>spa</dc:language>
<dc:publisher>Editum, Ediciones de la Universidad de Murcia</dc:publisher>
<dc:title>Naturaleza y finalidad de lo cómico en el teatro costumbrista de Orlando Hernández desde los fundamentos teóricos de Henri Bergson</dc:title>
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