<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-08-20T03:38:42Z</responseDate><request verb="GetRecord" identifier="oai:riubu.ubu.es:10259/5215" metadataPrefix="mods">https://riubu.ubu.es/oai/request</request><GetRecord><record><header><identifier>oai:riubu.ubu.es:10259/5215</identifier><datestamp>2021-11-09T12:12:35Z</datestamp><setSpec>com_10259_5195</setSpec><setSpec>com_10259_4437</setSpec><setSpec>com_10259.4_106</setSpec><setSpec>com_10259_2604</setSpec><setSpec>col_10259_5214</setSpec></header><metadata><mods:mods xmlns:mods="http://www.loc.gov/mods/v3" xmlns:doc="http://www.lyncode.com/xoai" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-1.xsd">
<mods:name>
<mods:namePart>López Ortiz, Agustín Carlos</mods:namePart>
</mods:name>
<mods:extension>
<mods:dateAvailable encoding="iso8601">2020-01-24T09:29:34Z</mods:dateAvailable>
</mods:extension>
<mods:extension>
<mods:dateAccessioned encoding="iso8601">2020-01-24T09:29:34Z</mods:dateAccessioned>
</mods:extension>
<mods:originInfo>
<mods:dateIssued encoding="iso8601">2017</mods:dateIssued>
</mods:originInfo>
<mods:identifier type="uri">http://hdl.handle.net/10259/5215</mods:identifier>
<mods:abstract>Orlando Hernández Martín was a Canarian playwright, novelist and journalist who became&#xd;
very successful in the Canary Islands in the second half of the 20th century. Among his&#xd;
dramatic works, it is worth to mention …Y llovió en Arbejales, premiered in 1965. This&#xd;
costumbrista piece consists of a satire in which customs, prejudices and vices of an ill society&#xd;
are shown. The comical treatment of topics such as corruption in politics, emigration and&#xd;
the desire of the characters to escape from an oppressive situation completely meets the&#xd;
theoretical idea of the nature and the purpose of the comedy generated by Henri Bergson.&#xd;
Moreover, poetic procedures used to create comedy –in accordance with those discussed&#xd;
by the philosopher– can be clearly appreciated in this work, according to the philosopher.</mods:abstract>
<mods:abstract>The critical works by George Bernard Shaw, whether under the name of GBS or Corno di&#xd;
Bassetto, date back to far before he made his debut as a playwright, when he made a living&#xd;
as the most feared critic of the London press. Shaw continued practising criticism in the&#xd;
long prefaces that he added to his own published works, and in the countless amount of&#xd;
letters in which the Irish author unleashed his favourite hobby: giving his opinion on&#xd;
everything. This paper aims at reviewing this vast volume of material and tracking the few&#xd;
instances when Shaw mentioned Spanish theatre, in order to shape a general overview of&#xd;
Shaw’s knowledge and opinion of Spanish drama, and on how these ideas could have had&#xd;
an influence in his relationship towards Spain.</mods:abstract>
<mods:language>
<mods:languageTerm>spa</mods:languageTerm>
</mods:language>
<mods:accessCondition type="useAndReproduction">http://creativecommons.org/licenses/by-nc-nd/3.0/</mods:accessCondition>
<mods:accessCondition type="useAndReproduction">Attribution-NonCommercial-NoDerivs 3.0 Unported</mods:accessCondition>
<mods:accessCondition type="useAndReproduction">info:eu-repo/semantics/openAccess</mods:accessCondition>
<mods:subject>
<mods:topic>Orlando Hernández</mods:topic>
</mods:subject>
<mods:subject>
<mods:topic>Henri Bergson</mods:topic>
</mods:subject>
<mods:subject>
<mods:topic>teatro costumbrista</mods:topic>
</mods:subject>
<mods:subject>
<mods:topic>lo cómico</mods:topic>
</mods:subject>
<mods:subject>
<mods:topic>procedimientos cómicos</mods:topic>
</mods:subject>
<mods:subject>
<mods:topic>costumbrista drama</mods:topic>
</mods:subject>
<mods:subject>
<mods:topic>the comedy</mods:topic>
</mods:subject>
<mods:subject>
<mods:topic>comedy procedures</mods:topic>
</mods:subject>
<mods:titleInfo>
<mods:title>Naturaleza y finalidad de lo cómico en el teatro costumbrista de Orlando Hernández desde los fundamentos teóricos de Henri Bergson</mods:title>
</mods:titleInfo>
<mods:genre>info:eu-repo/semantics/bookPart</mods:genre>
</mods:mods></metadata></record></GetRecord></OAI-PMH>