<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-07-29T00:17:56Z</responseDate><request verb="GetRecord" identifier="oai:riubu.ubu.es:10259/5286" metadataPrefix="dim">https://riubu.ubu.es/oai/request</request><GetRecord><record><header><identifier>oai:riubu.ubu.es:10259/5286</identifier><datestamp>2022-04-06T10:43:56Z</datestamp><setSpec>com_10259_4438</setSpec><setSpec>com_10259_4437</setSpec><setSpec>com_10259.4_106</setSpec><setSpec>com_10259_2604</setSpec><setSpec>col_10259_4439</setSpec></header><metadata><dim:dim xmlns:dim="http://www.dspace.org/xmlns/dspace/dim" xmlns:doc="http://www.lyncode.com/xoai" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
<dim:field mdschema="dc" element="contributor" qualifier="author" authority="c86a5a45-a93e-4876-bbc0-b208b9b39764" confidence="500" orcid_id="">Fernández Alonso, Alba</dim:field>
<dim:field mdschema="dc" element="contributor" qualifier="author" authority="53" confidence="500" orcid_id="">Barros del Río, María Amor</dim:field>
<dim:field mdschema="dc" element="date" qualifier="accessioned">2020-04-23T09:06:08Z</dim:field>
<dim:field mdschema="dc" element="date" qualifier="available">2020-04-23T09:06:08Z</dim:field>
<dim:field mdschema="dc" element="date" qualifier="issued">2019</dim:field>
<dim:field mdschema="dc" element="identifier" qualifier="issn">1137-6368</dim:field>
<dim:field mdschema="dc" element="identifier" qualifier="uri">http://hdl.handle.net/10259/5286</dim:field>
<dim:field mdschema="dc" element="description" qualifier="abstract" lang="en">The history of the African American community has been inexorably bound to the&#xd;
concepts of oppression, downgrading, racism, hatred and trauma. Although the&#xd;
association between racism and concomitant negative psychological outcome has&#xd;
been widely assessed, little work has been done to study the role of literature as a&#xd;
cultural means to promote resilience among this oppressed group. Langston&#xd;
Hughes (1902-1967) stands out as a novelist, poet and playwright, and is one of&#xd;
the primary contributors to the Harlem Renaissance movement. Following the&#xd;
framework of theories of resilience, this article analyses the representation of&#xd;
adversity and positive adaptation in Langston Hughes’s early stage poetry, and&#xd;
assesses his contribution to resilience among the African American people at a time&#xd;
of hardship and oppression.</dim:field>
<dim:field mdschema="dc" element="description" qualifier="abstract" lang="es">La historia de la comunidad afroamericana ha estado inexorablemente vinculada a&#xd;
los conceptos de opresión, degradación, racismo, odio y trauma. Aunque la relación que hay entre el racismo y los efectos psicológicos negativos se ha estudiado&#xd;
ampliamente, aún son escasos los trabajos que analizan el papel de la literatura&#xd;
como medio cultural para promover la resiliencia entre los grupos oprimidos.&#xd;
Langston Hughes (1902-1967), destacado novelista, poeta y dramaturgo, es uno&#xd;
de los principales contribuyentes al movimiento conocido como Renacimiento de&#xd;
Harlem. Siguiendo el marco de las teorías de la resiliencia, este artículo analiza la&#xd;
representación de la adversidad y la adaptación positiva en la poesía temprana de&#xd;
Langston Hughes, y evalúa su contribución a la resiliencia de la población&#xd;
afroamericana en un momento de grandes dificultades y opresión.</dim:field>
<dim:field mdschema="dc" element="format" qualifier="mimetype">application/pdf</dim:field>
<dim:field mdschema="dc" element="language" qualifier="iso" lang="es">eng</dim:field>
<dim:field mdschema="dc" element="publisher">Universidad de Zaragoza</dim:field>
<dim:field mdschema="dc" element="relation" qualifier="ispartof" lang="es">Miscelánea: a journal of english and american studies. 2019, n. 60, p. 91-106</dim:field>
<dim:field mdschema="dc" element="rights" lang="*">Atribución 4.0 Internacional</dim:field>
<dim:field mdschema="dc" element="rights" qualifier="uri" lang="*">http://creativecommons.org/licenses/by/4.0/</dim:field>
<dim:field mdschema="dc" element="rights" qualifier="accessRights" lang="es">info:eu-repo/semantics/openAccess</dim:field>
<dim:field mdschema="dc" element="subject" lang="en">Langston Hughes</dim:field>
<dim:field mdschema="dc" element="subject" lang="en">African American poetry</dim:field>
<dim:field mdschema="dc" element="subject" lang="en">resilience</dim:field>
<dim:field mdschema="dc" element="subject" lang="en">Harlem Renaissance</dim:field>
<dim:field mdschema="dc" element="subject" lang="es">poesía afroamericana</dim:field>
<dim:field mdschema="dc" element="subject" lang="es">resiliencia</dim:field>
<dim:field mdschema="dc" element="subject" lang="es">Renacimiento de Harlem</dim:field>
<dim:field mdschema="dc" element="subject" qualifier="other" lang="es">Literatura estadounidense</dim:field>
<dim:field mdschema="dc" element="subject" qualifier="other" lang="en">US literature</dim:field>
<dim:field mdschema="dc" element="title" lang="en">Resilience as a form of contestation in Langston Hughes' early poetry</dim:field>
<dim:field mdschema="dc" element="type" lang="es">info:eu-repo/semantics/article</dim:field>
<dim:field mdschema="dc" element="type" qualifier="hasVersion" lang="es">info:eu-repo/semantics/publishedVersion</dim:field>
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