<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-06-17T21:32:59Z</responseDate><request verb="GetRecord" identifier="oai:riubu.ubu.es:10259/6153" metadataPrefix="dim">https://riubu.ubu.es/oai/request</request><GetRecord><record><header><identifier>oai:riubu.ubu.es:10259/6153</identifier><datestamp>2022-12-02T01:06:01Z</datestamp><setSpec>com_10259_5226</setSpec><setSpec>com_10259_5086</setSpec><setSpec>com_10259_2604</setSpec><setSpec>col_10259_5227</setSpec></header><metadata><dim:dim xmlns:dim="http://www.dspace.org/xmlns/dspace/dim" xmlns:doc="http://www.lyncode.com/xoai" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
<dim:field mdschema="dc" element="contributor" qualifier="author" authority="679" confidence="500" orcid_id="0000-0002-7740-3321">Bardavío Estevan, Susana</dim:field>
<dim:field mdschema="dc" element="date" qualifier="accessioned">2021-11-15T13:55:40Z</dim:field>
<dim:field mdschema="dc" element="date" qualifier="available">2021-11-15T13:55:40Z</dim:field>
<dim:field mdschema="dc" element="date" qualifier="issued">2022-03</dim:field>
<dim:field mdschema="dc" element="identifier" qualifier="issn">0028-2677</dim:field>
<dim:field mdschema="dc" element="identifier" qualifier="uri">http://hdl.handle.net/10259/6153</dim:field>
<dim:field mdschema="dc" element="identifier" qualifier="doi">10.1007/s11061-021-09700-x</dim:field>
<dim:field mdschema="dc" element="description" qualifier="abstract" lang="en">Despite Emilia Pardo Bazán’s prominent feminism, La sirena negra has been&#xd;
strangely overlooked by gender studies. When the novel was published in 1908,&#xd;
Gómez de Baquero judged it “non feminist” due to its superficial heroines and the&#xd;
centrality of its complex masculine characters. Academic studies of La sirena negra&#xd;
have not refuted this idea, since they have elided gender approaches to focus on its&#xd;
decadent aesthetics. This article argues, on the contrary, that the novel’s androcentrism&#xd;
can be read as a Pardo Bazan’s strategy to appropriate the patriarchal discourse&#xd;
and hold it responsible for national degeneration. Emilia Pardo Bazán was harshly&#xd;
affected by the fin-de-siècle crisis. In her opinion, Spanish decay came from a lack&#xd;
of solid morality. Thus, Catholic principles should be restored because they would&#xd;
provide the autoregulation mechanisms to regenerate and reassemble the country.&#xd;
Literature should show the new reality, and the French roman psychologique provided&#xd;
her with an appropriate model. La sirena negra sets out the problem of the&#xd;
moral anomie through its protagonist, Gaspar de Montenegro. The analysis of his&#xd;
sexuality and gender performance reveals the danger of this amoral behavior for the&#xd;
degeneration of society, attributed ultimately to the patriarchal order and the androcentric&#xd;
discourse.</dim:field>
<dim:field mdschema="dc" element="description" qualifier="sponsorship" lang="en">Open Access funding provided thanks to the CRUE-CSIC agreement with Springer Nature.</dim:field>
<dim:field mdschema="dc" element="description" qualifier="project">Publicación en abierto financiada por el Consorcio de Bibliotecas Universitarias de Castilla y León (BUCLE), con cargo al Programa Operativo 2014ES16RFOP009 FEDER 2014-2020 DE CASTILLA Y LEÓN, Actuación:20007-CL - Apoyo Consorcio BUCLE</dim:field>
<dim:field mdschema="dc" element="format" qualifier="mimetype">application/pdf</dim:field>
<dim:field mdschema="dc" element="language" qualifier="iso" lang="es">spa</dim:field>
<dim:field mdschema="dc" element="publisher" lang="en">Springer</dim:field>
<dim:field mdschema="dc" element="relation" qualifier="ispartof" lang="en">Neophilologus. 2022, V. 106, n. 1, p. 39–56</dim:field>
<dim:field mdschema="dc" element="relation" qualifier="publisherversion" lang="es">https://doi.org/10.1007/s11061-021-09700-x</dim:field>
<dim:field mdschema="dc" element="rights" lang="*">Atribución 4.0 Internacional</dim:field>
<dim:field mdschema="dc" element="rights" qualifier="uri" lang="*">http://creativecommons.org/licenses/by/4.0/</dim:field>
<dim:field mdschema="dc" element="rights" qualifier="accessRights" lang="es">info:eu-repo/semantics/openAccess</dim:field>
<dim:field mdschema="dc" element="subject" lang="es">La sirena negra</dim:field>
<dim:field mdschema="dc" element="subject" lang="es">Emilia Pardo Bazán</dim:field>
<dim:field mdschema="dc" element="subject" lang="en">Gender</dim:field>
<dim:field mdschema="dc" element="subject" lang="en">Biopolitics</dim:field>
<dim:field mdschema="dc" element="subject" lang="en">Fin-de-siècle Literature</dim:field>
<dim:field mdschema="dc" element="subject" lang="en">Sexuality</dim:field>
<dim:field mdschema="dc" element="subject" qualifier="other" lang="es">Literatura española</dim:field>
<dim:field mdschema="dc" element="subject" qualifier="other" lang="en">Spanish literature</dim:field>
<dim:field mdschema="dc" element="title" lang="es">“Un estado de la conciencia contemporánea”: género y moral en La sirena negra de Emilia Pardo Bazán</dim:field>
<dim:field mdschema="dc" element="type" lang="es">info:eu-repo/semantics/article</dim:field>
<dim:field mdschema="dc" element="type" qualifier="hasVersion" lang="es">info:eu-repo/semantics/publishedVersion</dim:field>
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