<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-10-23T17:02:54Z</responseDate><request verb="GetRecord" identifier="oai:riubu.ubu.es:10259/6303" metadataPrefix="dim">https://riubu.ubu.es/oai/request</request><GetRecord><record><header><identifier>oai:riubu.ubu.es:10259/6303</identifier><datestamp>2023-08-28T12:05:52Z</datestamp><setSpec>com_10259.4_2503</setSpec><setSpec>com_10259_5086</setSpec><setSpec>com_10259_2604</setSpec><setSpec>com_10259.4_103</setSpec><setSpec>com_10259.4_1</setSpec><setSpec>col_10259.4_2504</setSpec><setSpec>col_10259_6291</setSpec></header><metadata><dim:dim xmlns:dim="http://www.dspace.org/xmlns/dspace/dim" xmlns:doc="http://www.lyncode.com/xoai" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
<dim:field mdschema="dc" element="contributor" qualifier="author" authority="581" confidence="600" orcid_id="0000-0002-1443-4964">Zaparaín Yáñez, Mª José</dim:field>
<dim:field mdschema="dc" element="date" qualifier="accessioned">2021-12-22T10:46:12Z</dim:field>
<dim:field mdschema="dc" element="date" qualifier="available">2021-12-22T10:46:12Z</dim:field>
<dim:field mdschema="dc" element="date" qualifier="issued">2016</dim:field>
<dim:field mdschema="dc" element="identifier" qualifier="issn">0211-8998</dim:field>
<dim:field mdschema="dc" element="identifier" qualifier="uri">http://hdl.handle.net/10259/6303</dim:field>
<dim:field mdschema="dc" element="description" qualifier="abstract" lang="es">Desde la perspectiva decimonónica de recuperación de&#xd;
los principios de espiritualidad del medievo, como solución regeneradora&#xd;
de un mundo cada vez más complejo y fragmentado, la Catedral de Burgos fue alcanzando el generalizado reconocimiento de&#xd;
su calidad arquitectónica. Esta se instrumentalizará proponiéndose&#xd;
como elocuente testimonio, con función ejemplarizante, del modelo&#xd;
artístico y social del Gótico. De ahí que fuera necesario cuidar todos&#xd;
los detalles de la gran fábrica metropolitana en la que el programa de&#xd;
vidrieras llevado a cabo por prestigiosos talleres bávaros se convertirá&#xd;
en la primera apuesta de un largo proceso de renovación del templo.&#xd;
Bajo tan singular marco, el doble binomio luz-arquitectura y&#xd;
religión-arte, entablará un enriquecedor diálogo que transformó completamente&#xd;
el interior catedralicio del cual somos herederos.</dim:field>
<dim:field mdschema="dc" element="description" qualifier="abstract" lang="en">Since the 19th-century perspective of restoration of the&#xd;
Middle Ages' principles of spirituality as a solution to regenerate a&#xd;
progressively more and more complex and fragmented world, the&#xd;
Burgos Cathedral has gathered wide recognition of its architectonic&#xd;
quality. This quality was to be instrumentalized and proposed as an&#xd;
eloquent testimony to illustrate the Gothic social and artistic model.&#xd;
This made it necessary to care for every detail in the metropolitan&#xd;
factory in which the stained glass programme developed by prestigious Bavarian workshops is to become the first step in a long renovation&#xd;
process for this church. Within such a singular framework,&#xd;
the twofold binomial light-architecture and religion-art, strike up an&#xd;
enriching dialogue that radically transformed the cathedral interior&#xd;
that we have inherited.</dim:field>
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<dim:field mdschema="dc" element="language" qualifier="iso" lang="es">spa</dim:field>
<dim:field mdschema="dc" element="publisher" lang="es">Institución Fernán González</dim:field>
<dim:field mdschema="dc" element="relation" qualifier="ispartof" lang="es">Boletín de la Institución Fernán González. 2016/1, Año 95, n. 252, p. 215-237</dim:field>
<dim:field mdschema="dc" element="rights" lang="*">Attribution-NonCommercial-NoDerivs 3.0 Unported</dim:field>
<dim:field mdschema="dc" element="rights" qualifier="uri" lang="*">http://creativecommons.org/licenses/by-nc-nd/3.0/</dim:field>
<dim:field mdschema="dc" element="rights" qualifier="accessRights" lang="es">info:eu-repo/semantics/openAccess</dim:field>
<dim:field mdschema="dc" element="subject" lang="es">Vidrieras</dim:field>
<dim:field mdschema="dc" element="subject" lang="es">Catedral</dim:field>
<dim:field mdschema="dc" element="subject" lang="es">Burgos</dim:field>
<dim:field mdschema="dc" element="subject" lang="es">Mayer</dim:field>
<dim:field mdschema="dc" element="subject" lang="es">Zettler</dim:field>
<dim:field mdschema="dc" element="subject" lang="en">Stained-glass</dim:field>
<dim:field mdschema="dc" element="subject" lang="en">Cathedral</dim:field>
<dim:field mdschema="dc" element="subject" qualifier="other" lang="es">Artes decorativas-Burgos</dim:field>
<dim:field mdschema="dc" element="subject" qualifier="other" lang="en">Decorative arts-Burgos</dim:field>
<dim:field mdschema="dc" element="title" lang="es">Las vidrieras de la Catedral de Burgos en la contemporaneidad. El siglo XIX y los talleres europeos</dim:field>
<dim:field mdschema="dc" element="type" lang="es">info:eu-repo/semantics/article</dim:field>
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