<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-06-19T11:20:18Z</responseDate><request verb="GetRecord" identifier="oai:riubu.ubu.es:10259/7367" metadataPrefix="dim">https://riubu.ubu.es/oai/request</request><GetRecord><record><header><identifier>oai:riubu.ubu.es:10259/7367</identifier><datestamp>2023-02-02T01:05:31Z</datestamp><setSpec>com_10259_7355</setSpec><setSpec>com_10259_7353</setSpec><setSpec>com_10259_2604</setSpec><setSpec>col_10259_7356</setSpec></header><metadata><dim:dim xmlns:dim="http://www.dspace.org/xmlns/dspace/dim" xmlns:doc="http://www.lyncode.com/xoai" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
<dim:field mdschema="dc" element="contributor" qualifier="author" authority="0f489ae1-c1f3-4eee-9715-82734244eb72" confidence="600" orcid_id="">Redondo Cantera, María José</dim:field>
<dim:field mdschema="dc" element="date" qualifier="accessioned">2023-02-01T10:52:30Z</dim:field>
<dim:field mdschema="dc" element="date" qualifier="available">2023-02-01T10:52:30Z</dim:field>
<dim:field mdschema="dc" element="date" qualifier="issued">2022-07</dim:field>
<dim:field mdschema="dc" element="identifier" qualifier="issn">2952-1084</dim:field>
<dim:field mdschema="dc" element="identifier" qualifier="uri">http://hdl.handle.net/10259/7367</dim:field>
<dim:field mdschema="dc" element="identifier" qualifier="doi">10.36443/sarmental.48</dim:field>
<dim:field mdschema="dc" element="identifier" qualifier="essn">2952-1084</dim:field>
<dim:field mdschema="dc" element="description" qualifier="abstract" lang="es">Una mirada atenta a la pintura de Juan de Flandes, del que sólo se conoce su actividad en España,&#xd;
revela la pervivencia de muchos recursos expresivos de su procedencia flamenca, aunque no&#xd;
transcritos de forma literal, sino pasados por el tamiz de su sensibilidad. En sus figuraciones de&#xd;
paisajes, arquitecturas, ambientes y personajes añadió su propia interpretación sobre la condición moral de todos ellos. Lo patético, lo bello, lo grotesco y lo poético tuvieron su lugar en una&#xd;
narración religiosa teatralizada, que se presentaba transcendida y a un tiempo cercana a los ojos&#xd;
del espectador.</dim:field>
<dim:field mdschema="dc" element="description" qualifier="abstract" lang="en">An attentive look at the painting of Juan de Flandes, who is only known to have worked in&#xd;
Spain, reveals the survival of many expressive resources of his Flemish origin, although not&#xd;
transcribed literally, but passed through the nuance of his sensitivity. In his figurations of&#xd;
landscapes, architectures, environments and characters, he added his own interpretation of the&#xd;
moral condition of all of them. The pathetic, the beautiful, the grotesque and the poetic had their&#xd;
place in a dramatized religious narrative, which was transcended and at a time close to the eyes&#xd;
of the viewer.</dim:field>
<dim:field mdschema="dc" element="description" qualifier="sponsorship" lang="es">Este estudio se ha hecho en el marco del GIR “IDINTAR. Identidad e intercambios artísticos de la Edad Media al Mundo Contemporáneo”, de la Universidad de Valladolid.</dim:field>
<dim:field mdschema="dc" element="language" qualifier="iso" lang="es">spa</dim:field>
<dim:field mdschema="dc" element="publisher" lang="es">Universidad de Burgos. Cátedra de Estudios del Patrimonio Artístico Alberto C. Ibáñez</dim:field>
<dim:field mdschema="dc" element="relation" qualifier="ispartof" lang="es">Sarmental. 2022, n. 1, p. 61-84</dim:field>
<dim:field mdschema="dc" element="relation" qualifier="publisherversion" lang="es">https://doi.org/10.36443/sarmental.48</dim:field>
<dim:field mdschema="dc" element="rights" lang="*">Attribution-NonCommercial-NoDerivatives 4.0 Internacional</dim:field>
<dim:field mdschema="dc" element="rights" qualifier="uri" lang="*">http://creativecommons.org/licenses/by-nc-nd/4.0/</dim:field>
<dim:field mdschema="dc" element="rights" qualifier="accessRights" lang="es">info:eu-repo/semantics/openAccess</dim:field>
<dim:field mdschema="dc" element="subject" lang="es">Pintura flamenca</dim:field>
<dim:field mdschema="dc" element="subject" lang="es">Siglos XV-XVI</dim:field>
<dim:field mdschema="dc" element="subject" lang="es">Juan de Flandes</dim:field>
<dim:field mdschema="dc" element="subject" lang="es">Modelos arquitectónicos</dim:field>
<dim:field mdschema="dc" element="subject" lang="es">Imagen de Jerusalén</dim:field>
<dim:field mdschema="dc" element="subject" lang="es">Escenografía y simbolismos</dim:field>
<dim:field mdschema="dc" element="subject" lang="en">Flemish Painting</dim:field>
<dim:field mdschema="dc" element="subject" lang="en">15-16th centuries</dim:field>
<dim:field mdschema="dc" element="subject" lang="en">Architectural patterns</dim:field>
<dim:field mdschema="dc" element="subject" lang="en">Jerusalem's image</dim:field>
<dim:field mdschema="dc" element="subject" lang="en">Scenography and symbols</dim:field>
<dim:field mdschema="dc" element="subject" qualifier="other" lang="es">Arte</dim:field>
<dim:field mdschema="dc" element="subject" qualifier="other" lang="es">Pintura</dim:field>
<dim:field mdschema="dc" element="subject" qualifier="other" lang="en">Art</dim:field>
<dim:field mdschema="dc" element="subject" qualifier="other" lang="en">Painting</dim:field>
<dim:field mdschema="dc" element="title" lang="es">Imaginarios de lo sagrado en la pintura de Juan de Flandes</dim:field>
<dim:field mdschema="dc" element="title" qualifier="alternative" lang="en">Images of the sacred in the painting of Juan de Flandes</dim:field>
<dim:field mdschema="dc" element="type" lang="es">info:eu-repo/semantics/article</dim:field>
<dim:field mdschema="dc" element="type" qualifier="hasVersion" lang="es">info:eu-repo/semantics/publishedVersion</dim:field>
<dim:field mdschema="dc" element="journal" qualifier="title" lang="es">Sarmental: Estudios de Historia del Arte y Patrimonio</dim:field>
<dim:field mdschema="dc" element="issue" qualifier="number" lang="es">1</dim:field>
<dim:field mdschema="dc" element="page" qualifier="initial" lang="es">61</dim:field>
<dim:field mdschema="dc" element="page" qualifier="final" lang="es">84</dim:field>
</dim:dim></metadata></record></GetRecord></OAI-PMH>