<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-04-27T14:38:18Z</responseDate><request verb="GetRecord" identifier="oai:riubu.ubu.es:10259/7912" metadataPrefix="dim">https://riubu.ubu.es/oai/request</request><GetRecord><record><header><identifier>oai:riubu.ubu.es:10259/7912</identifier><datestamp>2023-10-26T00:05:27Z</datestamp><setSpec>com_10259_7910</setSpec><setSpec>com_10259_4144</setSpec><setSpec>com_10259.4_106</setSpec><setSpec>com_10259_2604</setSpec><setSpec>col_10259_7911</setSpec></header><metadata><dim:dim xmlns:dim="http://www.dspace.org/xmlns/dspace/dim" xmlns:doc="http://www.lyncode.com/xoai" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
<dim:field mdschema="dc" element="contributor" qualifier="author" authority="190" confidence="600" orcid_id="0000-0002-2202-878X">Gallego López, Mónica Milena</dim:field>
<dim:field mdschema="dc" element="date" qualifier="accessioned">2023-10-25T08:10:33Z</dim:field>
<dim:field mdschema="dc" element="date" qualifier="available">2023-10-25T08:10:33Z</dim:field>
<dim:field mdschema="dc" element="date" qualifier="issued">2020-08</dim:field>
<dim:field mdschema="dc" element="identifier" qualifier="issn">0214-3402</dim:field>
<dim:field mdschema="dc" element="identifier" qualifier="uri">http://hdl.handle.net/10259/7912</dim:field>
<dim:field mdschema="dc" element="identifier" qualifier="doi">10.14201/aula202026225243</dim:field>
<dim:field mdschema="dc" element="identifier" qualifier="essn">2174-0925</dim:field>
<dim:field mdschema="dc" element="description" qualifier="abstract" lang="es">Este trabajo brinda un acercamiento a los arpistas de pedales (maestros, intérpretes y alumnos) en Colombia y España, y ofrece una visión de la formación de los arpistas en el siglo xxi. Se realiza un acercamiento cualitativo a los arpistas en la actualidad con el diseño, desarrollo, análisis y evaluación de entrevistas, y participación en importantes eventos musicales, culturales y pedagógicos en torno al arpa de pedales, en los respectivos países. Se ofrecen significativas reflexiones en torno a la educación musical, y, en especial, diferentes puntos de vista sobre la formación de los arpistas y el desarrollo profesional y educativo, convirtiéndose en un estudio pionero. La investigación muestra las aplicaciones que de la historiación crítica del arpa pueden derivarse para la formación de arpistas y el reconocimiento de su valor.</dim:field>
<dim:field mdschema="dc" element="description" qualifier="abstract" lang="en">This paper provides an approach to pedal harpist (teachers, interpreters and students) in Colombia and Spain, and offers a point of view of the harpist training in  the  twenty-first  century.  A  cualitative  approach  is  made  to  the  harpist  nowadays  with the design, development, analysis and evaluation of interviews, and participation in important musical, cultural and pedagogical events around the pedal harp in the respec-tive countries. Significant reflections on music education are offered, specially, different points of view on the harpist training and the profesional and educational development, becoming a pioneering study. The research shows the applications that critical history of the harp can be derived for education of harpist and the recognition of their value.</dim:field>
<dim:field mdschema="dc" element="language" qualifier="iso" lang="es">spa</dim:field>
<dim:field mdschema="dc" element="publisher" lang="es">Ediciones Universidad de Salamanca</dim:field>
<dim:field mdschema="dc" element="relation" qualifier="ispartof" lang="es">Aula. 2020, V. 26, p. 225–243</dim:field>
<dim:field mdschema="dc" element="relation" qualifier="publisherversion" lang="es">https://doi.org/10.14201/aula202026225243</dim:field>
<dim:field mdschema="dc" element="rights" lang="*">Attribution-NonCommercial-NoDerivatives 4.0 Internacional</dim:field>
<dim:field mdschema="dc" element="rights" qualifier="uri" lang="*">http://creativecommons.org/licenses/by-nc-nd/4.0/</dim:field>
<dim:field mdschema="dc" element="rights" qualifier="accessRights" lang="es">info:eu-repo/semantics/openAccess</dim:field>
<dim:field mdschema="dc" element="subject" lang="es">Formación musical</dim:field>
<dim:field mdschema="dc" element="subject" lang="es">Educación</dim:field>
<dim:field mdschema="dc" element="subject" lang="es">Arpistas</dim:field>
<dim:field mdschema="dc" element="subject" lang="es">Desarrollo cultural</dim:field>
<dim:field mdschema="dc" element="subject" lang="en">Musical formation</dim:field>
<dim:field mdschema="dc" element="subject" lang="en">Education</dim:field>
<dim:field mdschema="dc" element="subject" lang="en">Pedal harpist</dim:field>
<dim:field mdschema="dc" element="subject" lang="en">Cultural development</dim:field>
<dim:field mdschema="dc" element="subject" qualifier="other" lang="es">Música</dim:field>
<dim:field mdschema="dc" element="subject" qualifier="other" lang="en">Music</dim:field>
<dim:field mdschema="dc" element="title" lang="es">Educación y formación de intérpretes del arpa de pedales en Colombia y España en el siglo XXI</dim:field>
<dim:field mdschema="dc" element="type" lang="es">info:eu-repo/semantics/article</dim:field>
<dim:field mdschema="dc" element="type" qualifier="hasVersion" lang="es">info:eu-repo/semantics/publishedVersion</dim:field>
<dim:field mdschema="dc" element="journal" qualifier="title" lang="es">Aula</dim:field>
<dim:field mdschema="dc" element="volume" qualifier="number" lang="es">26</dim:field>
<dim:field mdschema="dc" element="issue" qualifier="number" lang="es">0</dim:field>
<dim:field mdschema="dc" element="page" qualifier="initial" lang="es">225</dim:field>
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