<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-05-27T06:05:56Z</responseDate><request verb="GetRecord" identifier="oai:riubu.ubu.es:10259/8111" metadataPrefix="dim">https://riubu.ubu.es/oai/request</request><GetRecord><record><header><identifier>oai:riubu.ubu.es:10259/8111</identifier><datestamp>2023-11-24T01:05:43Z</datestamp><setSpec>com_10259.4_2498</setSpec><setSpec>com_10259_5086</setSpec><setSpec>com_10259_2604</setSpec><setSpec>col_10259.4_2499</setSpec></header><metadata><dim:dim xmlns:dim="http://www.dspace.org/xmlns/dspace/dim" xmlns:doc="http://www.lyncode.com/xoai" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
<dim:field mdschema="dc" element="contributor" qualifier="author" authority="856" confidence="600" orcid_id="0000-0001-7510-1373">Chicharro Merayo, María del Mar</dim:field>
<dim:field mdschema="dc" element="date" qualifier="accessioned">2023-11-23T12:44:35Z</dim:field>
<dim:field mdschema="dc" element="date" qualifier="available">2023-11-23T12:44:35Z</dim:field>
<dim:field mdschema="dc" element="date" qualifier="issued">2012-12</dim:field>
<dim:field mdschema="dc" element="identifier" qualifier="issn">1367-5494</dim:field>
<dim:field mdschema="dc" element="identifier" qualifier="uri">http://hdl.handle.net/10259/8111</dim:field>
<dim:field mdschema="dc" element="identifier" qualifier="doi">10.1177/1367549412467178</dim:field>
<dim:field mdschema="dc" element="identifier" qualifier="essn">1460-3551</dim:field>
<dim:field mdschema="dc" element="description" qualifier="abstract" lang="en">This study focuses on certain aspects of the socialising function exerted by the medium of television. More specifically, it examines in detail some of the televisual strategies used by Spanish public television to reinforce the idea of Spain as ‘state’ and ‘nation’. To achieve this, the study analyses two telenovelas produced in Spain, La Señora (The Lady) and Amar en tiempos revueltos (Loving in Troubled Times), which represent the adaptation of the genre to the cultural characteristics of its target audience. Although both series adhere to the principal rules of this melodramatic formula, they propose, in a similar way, an exercise of interpreting the country’s recent history. They explain and interpret the past of this society, thus justifying the collective present day. The analysis of both texts allows us to identify some of the semantic keys used today by the television media to evoke and legitimate the idea of the Spanish nation.</dim:field>
<dim:field mdschema="dc" element="description" qualifier="sponsorship" lang="en">This work is part of the following research projects: ‘Cultura audiovisual y representaciones de género en España: mensajes, consumo y apropiación juvenil de la ficción televisiva y los videojuegos’ (Audiovisual culture and gender portrayal in Spain: messages, consumption and appropriation of television fiction and video games by the young) ref. FEM2011-27381, financed by the Ministry of Economy and Competitiveness, Spain; and the Complutense research group ‘Historia y Estructura de la Comunicación y el Entretenimiento’ (History and structure of media and entertainment), ref. 940439.</dim:field>
<dim:field mdschema="dc" element="format" qualifier="mimetype">application/pdf</dim:field>
<dim:field mdschema="dc" element="language" qualifier="iso" lang="es">eng</dim:field>
<dim:field mdschema="dc" element="publisher" lang="es">SAGE Publications</dim:field>
<dim:field mdschema="dc" element="relation" qualifier="ispartof" lang="es">European Journal of Cultural Studies. 2012, V. 16, n. 2, p. 211-225</dim:field>
<dim:field mdschema="dc" element="relation" qualifier="publisherversion" lang="es">https://doi.org/10.1177/1367549412467178</dim:field>
<dim:field mdschema="dc" element="subject" lang="en">Socialisation function</dim:field>
<dim:field mdschema="dc" element="subject" lang="en">Spain</dim:field>
<dim:field mdschema="dc" element="subject" lang="en">Telenovela</dim:field>
<dim:field mdschema="dc" element="subject" lang="en">Television</dim:field>
<dim:field mdschema="dc" element="subject" qualifier="other" lang="es">Comunicación</dim:field>
<dim:field mdschema="dc" element="subject" qualifier="other" lang="es">Sociología</dim:field>
<dim:field mdschema="dc" element="subject" qualifier="other" lang="en">Communication</dim:field>
<dim:field mdschema="dc" element="subject" qualifier="other" lang="en">Sociology</dim:field>
<dim:field mdschema="dc" element="title" lang="en">Telenovelas and society: constructing and reinforcing the nation through television fiction</dim:field>
<dim:field mdschema="dc" element="type" lang="es">info:eu-repo/semantics/article</dim:field>
<dim:field mdschema="dc" element="type" qualifier="hasVersion" lang="es">info:eu-repo/semantics/publishedVersion</dim:field>
<dim:field mdschema="dc" element="rights" qualifier="accessRights" lang="es">info:eu-repo/semantics/openAccess</dim:field>
<dim:field mdschema="dc" element="journal" qualifier="title" lang="en">European Journal of Cultural Studies</dim:field>
<dim:field mdschema="dc" element="volume" qualifier="number" lang="es">16</dim:field>
<dim:field mdschema="dc" element="issue" qualifier="number" lang="es">2</dim:field>
<dim:field mdschema="dc" element="page" qualifier="initial" lang="es">211</dim:field>
<dim:field mdschema="dc" element="page" qualifier="final" lang="es">225</dim:field>
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