<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-06-18T03:33:59Z</responseDate><request verb="GetRecord" identifier="oai:riubu.ubu.es:10259/8173" metadataPrefix="etdms">https://riubu.ubu.es/oai/request</request><GetRecord><record><header><identifier>oai:riubu.ubu.es:10259/8173</identifier><datestamp>2023-12-01T01:05:20Z</datestamp><setSpec>com_10259_5226</setSpec><setSpec>com_10259_5086</setSpec><setSpec>com_10259_2604</setSpec><setSpec>col_10259_5227</setSpec></header><metadata><thesis xmlns="http://www.ndltd.org/standards/metadata/etdms/1.0/" xmlns:doc="http://www.lyncode.com/xoai" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.ndltd.org/standards/metadata/etdms/1.0/ http://www.ndltd.org/standards/metadata/etdms/1.0/etdms.xsd">
<title>Mier Pérez, Laura. Motivos amorosos del teatro renacentista: la «Égloga de Plácida y Vitoriano» de Juan del Encina y la anónima «Comedia Serafina»</title>
<creator>Sánchez Hernández, Sara</creator>
<description>Reseña Bibliográfica</description>
<date>2023-11-30</date>
<date>2023-11-30</date>
<date>2017</date>
<type>info:eu-repo/semantics/article</type>
<identifier>0147-3085</identifier>
<identifier>http://hdl.handle.net/10259/8173</identifier>
<identifier>10.7203/Celestinesca.41.20213</identifier>
<identifier>2695-7183</identifier>
<language>spa</language>
<relation>Celestinesca. 2017, V. 41, p. 185-194</relation>
<relation>https://doi.org/10.7203/Celestinesca.41.20213</relation>
<rights>http://creativecommons.org/licenses/by-nc-nd/4.0/</rights>
<rights>info:eu-repo/semantics/openAccess</rights>
<rights>Attribution-NonCommercial-NoDerivatives 4.0 Internacional</rights>
<publisher>Universidad de Valencia</publisher>
</thesis></metadata></record></GetRecord></OAI-PMH>