<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-07-09T04:36:39Z</responseDate><request verb="GetRecord" identifier="oai:riubu.ubu.es:10259/8242" metadataPrefix="qdc">https://riubu.ubu.es/oai/request</request><GetRecord><record><header><identifier>oai:riubu.ubu.es:10259/8242</identifier><datestamp>2024-01-09T01:05:26Z</datestamp><setSpec>com_10259_7355</setSpec><setSpec>com_10259_7353</setSpec><setSpec>com_10259_2604</setSpec><setSpec>col_10259_8233</setSpec></header><metadata><qdc:qualifieddc xmlns:qdc="http://dspace.org/qualifieddc/" xmlns:doc="http://www.lyncode.com/xoai" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dcterms="http://purl.org/dc/terms/" xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://dublincore.org/schemas/xmls/qdc/2006/01/06/dc.xsd http://purl.org/dc/terms/ http://dublincore.org/schemas/xmls/qdc/2006/01/06/dcterms.xsd http://dspace.org/qualifieddc/ http://www.ukoln.ac.uk/metadata/dcmi/xmlschema/qualifieddc.xsd">
<dc:title>Nuevas obras atribuibles al escultor Francisco Giralte en la provincia de Palencia</dc:title>
<dc:creator>Parrado del Olmo, Jesús María</dc:creator>
<dc:subject>Francisco Giralte</dc:subject>
<dc:subject>Escultura del Renacimiento</dc:subject>
<dc:subject>Madera policromada</dc:subject>
<dc:subject>Palencia</dc:subject>
<dc:subject>16th century sculpture</dc:subject>
<dc:subject>Polycrhrome wood</dc:subject>
<dcterms:abstract>En este artículo se atribuyen unas obras de escultura en madera policromada inéditas en la provincia de Palencia al escultor Francisco Giralte.</dcterms:abstract>
<dcterms:abstract>This article attributes unpublished works of polychrome wood sculpture in the province of Palencia to the sculptor Francisco Giralte.</dcterms:abstract>
<dcterms:dateAccepted>2024-01-08T11:34:17Z</dcterms:dateAccepted>
<dcterms:available>2024-01-08T11:34:17Z</dcterms:available>
<dcterms:created>2024-01-08T11:34:17Z</dcterms:created>
<dcterms:issued>2023-12</dcterms:issued>
<dc:type>info:eu-repo/semantics/article</dc:type>
<dc:identifier>2952-1084</dc:identifier>
<dc:identifier>http://hdl.handle.net/10259/8242</dc:identifier>
<dc:identifier>10.36443/sarmental.59</dc:identifier>
<dc:identifier>2952-1084</dc:identifier>
<dc:language>spa</dc:language>
<dc:relation>Sarmental. 2022, n. 2, p. 43-50</dc:relation>
<dc:relation>https://doi.org/10.36443/sarmental.59</dc:relation>
<dc:rights>http://creativecommons.org/licenses/by-nc-nd/4.0/</dc:rights>
<dc:rights>info:eu-repo/semantics/openAccess</dc:rights>
<dc:rights>Attribution-NonCommercial-NoDerivatives 4.0 Internacional</dc:rights>
<dc:publisher>Universidad de Burgos. Cátedra de Estudios del Patrimonio Artístico Alberto C. Ibáñez</dc:publisher>
</qdc:qualifieddc></metadata></record></GetRecord></OAI-PMH>