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<dc:title>El héroe fieramente humano: Aquiles, el hombre, de Roberto Rivera</dc:title>
<dc:creator>Ortega Villaro, María Begoña</dc:creator>
<dc:subject>Ilíada</dc:subject>
<dc:subject>Adaptación teatral</dc:subject>
<dc:subject>Aquiles</dc:subject>
<dc:subject>Roberto Rivera</dc:subject>
<dc:subject>Iliad</dc:subject>
<dc:subject>Theatrical adaptation</dc:subject>
<dc:subject>Achilles</dc:subject>
<dc:description>En el presente trabajo se estudia la obra Aquiles, el hombre, de Roberto&#xd;
Rivera, estrenada en Mérida en 2016. La obra presenta a Aquiles no como el héroe&#xd;
en cuyas manos está la victoria sobre Troya, sino como un hombre enfrentado a la&#xd;
violencia, la que le rodea en esa guerra interminable, o la que surge como respuesta a&#xd;
su dolor. El autor ha convertido el fragmento del poema épico en una tragedia clásica&#xd;
que le permite una indagación mayor en el alma torturada de Aquiles, gracias a su&#xd;
relación/enfrentamiento con los distintos personajes: Briseida, Patroclo, Agamenón. Al&#xd;
convertir a Aquiles en un personaje moderno, autoconsciente, mientras se mantienen&#xd;
con absoluta fidelidad los principales acontecimientos, se dibuja un personaje a veces no&#xd;
demasiado coherente, un anacrónico pacifista tan fuera de lugar como la guerra misma.</dc:description>
<dc:description>This paper analyzes the play Achilles, the man, by Roberto Rivera,&#xd;
performed at the Teatro Romano de Mérida in 2016. The play presents Achilles as&#xd;
the hero in whose hands is the victory over Troy. Achilles is also a man faced with a&#xd;
double violence: the one that surrounds him in that endless war and the one that arises&#xd;
as a response to his pain. The author has turned the fragment of the epic poem into a&#xd;
classical tragedy thanks to his relationship/confrontation with the different characters:&#xd;
Briseis, Patroclus and Agamemnon. However, the work turns Achilles into a modern&#xd;
and self-aware character, within events completely faithful to the Iliad. Therefore, the&#xd;
play draws a character sometimes not always coherent, an anachronistic pacifist as out&#xd;
of place as the war itself.</dc:description>
<dc:date>2024-03-22T09:05:04Z</dc:date>
<dc:date>2024-03-22T09:05:04Z</dc:date>
<dc:date>2023</dc:date>
<dc:type>info:eu-repo/semantics/bookPart</dc:type>
<dc:identifier>978-989-26-2492-1</dc:identifier>
<dc:identifier>978-989-26-2493-8</dc:identifier>
<dc:identifier>http://hdl.handle.net/10259/8865</dc:identifier>
<dc:identifier>10.14195/978-989-26-2493-8_6</dc:identifier>
<dc:identifier>10.14195/978-989-26-2493-8</dc:identifier>
<dc:language>spa</dc:language>
<dc:relation>Mito e Drama. O teatro clássico no seu tempo e no nosso, p. 107-125</dc:relation>
<dc:relation>Mito e (re)escrita</dc:relation>
<dc:relation>https://livrariadaimprensa.uc.pt/produto/mito-e-drama-teatro-classico-no-seu-tempo-e-no-nosso/</dc:relation>
<dc:rights>http://creativecommons.org/licenses/by/3.0/</dc:rights>
<dc:rights>info:eu-repo/semantics/openAccess</dc:rights>
<dc:rights>Attribution 3.0 Unported</dc:rights>
<dc:publisher>Imprensa da Universidade de Coimbra</dc:publisher>
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