2026-05-04T09:15:03Zhttps://riubu.ubu.es/oai/request

oai:riubu.ubu.es:10259/91562024-05-09T00:05:22Zcom_10259_8996com_10259_5086com_10259_2604col_10259_8997

Narváez Torregrosa, Daniel Carlos 2024-05-08T11:32:55Z 2024-05-08T11:32:55Z 2024-04-25 2042-7891 http://hdl.handle.net/10259/9156 10.1386/jsca_00104_1 2042-7905 This article discusses the film Sotapolulla (‘On the warpath’) (1922), a pioneering work in the early years of Finnish cinema. By highlighting the role that women played during the Finnish Civil War (1918), scriptwriter and director Teuvo Pakkala, a well-known conservative writer, created a model of femininity for the post-war period. The construction of the female characters accords with the standards of femininity in Hollywood silent film, which featured strong, assertive women committed to the social order. Thus Pakkala’s film in significant ways follows the classical model that Noël Burch identifies as an institutional mode of representation. application/pdf eng Intellect Journal of Scandinavian Cinema. 2024 https://doi.org/10.1386/jsca_00104_1 Attribution-NonCommercial-NoDerivatives 4.0 Internacional http://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess Teuvo Pakkala Finnish silent cinema Finnish Civil War Cinema and gender Cinema and history Cinema and contemporary conflicts Cine Historia Motion pictures History A narrative of women and war: The Finnish silent era film ‘On the warpath’ info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Journal of Scandinavian Cinema