2026-05-04T16:30:32Zhttps://riubu.ubu.es/oai/requestoai:riubu.ubu.es:10259/91562024-05-09T00:05:22Zcom_10259_8996com_10259_5086com_10259_2604col_10259_8997
Repositorio Institucional de la Universidad de Burgos
author
Narváez Torregrosa, Daniel Carlos
2024-05-08T11:32:55Z
2024-05-08T11:32:55Z
2024-04-25
2042-7891
http://hdl.handle.net/10259/9156
10.1386/jsca_00104_1
2042-7905
This article discusses the film Sotapolulla (‘On the warpath’) (1922), a pioneering work in the early years of Finnish cinema. By highlighting the role that women played during the Finnish Civil War (1918), scriptwriter and director Teuvo Pakkala, a well-known conservative writer, created a model of femininity for the post-war period. The construction of the female characters accords with the standards of femininity in Hollywood silent film, which featured strong, assertive women committed to the social order. Thus Pakkala’s film in significant ways follows the classical model that Noël Burch identifies as an institutional mode of representation.
eng
Attribution-NonCommercial-NoDerivatives 4.0 Internacional
Teuvo Pakkala
Finnish silent cinema
Finnish Civil War
Cinema and gender
Cinema and history
Cinema and contemporary conflicts
A narrative of women and war: The Finnish silent era film ‘On the warpath’
info:eu-repo/semantics/article
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URL
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application/pdf
Narvaez-jsc_2024.pdf