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dc.contributor.authorChicharro Merayo, María del Mar 
dc.contributor.authorGil Gascón, Fátima 
dc.contributor.authorBaptista, Carla
dc.date.accessioned2023-05-18T11:47:28Z
dc.date.available2023-05-18T11:47:28Z
dc.date.issued2023-04
dc.identifier.issn2183-2439
dc.identifier.urihttp://hdl.handle.net/10259/7678
dc.descriptionArtículo publicado en el número temático dedicado a: Political Communication in Times of Spectacularisation: Digital Narratives, Engagement, and Politainmentes
dc.description.abstractThis article deals with recent Spanish and Portuguese political television series. Within this sub-genre, it is pertinent to consider the symbolic construction of politics, as well as the differences caused by each series’ geographical adscription. Six Spanish productions have been selected—Isabel (Isabella the Catholic), Carlos Rey Emperador (Charles the Emperor King), La Embajada (The Embassy), Crematorio (Crematorium), Vamos Juan/Venga Juan (Come on, Juan/Let’s go Juan), and El Partido (The Party)—along with three Portuguese productions—A Rainha e a Bastarda (The Queen and the Bastard), Teorias da Conspiração (Conspiracy Theories), and Os Boys (The Boys). The narrative of these audio-visual stories has been examined utilising qualitative content analysis, looking at the plotlines and characters involved. The type of characterisation of politics has been identified by means of the deconstruction of the main characters. The conclusion is that the evaluation is eminently negative, although differential frameworks are present, depending, in particular, on the fiction’s genre, either historical drama, drama-thriller, or comedy.en
dc.description.sponsorshipThis article is part of the project titled “‘Politainment’ in the Face of Media Fragmentation: Disintermediation, Engagement and Polarisation” (PID2020–114193RB‐ I00), funded by the Spanish Ministry of Science and Innovation.en
dc.format.mimetypeapplication/pdf
dc.language.isoenges
dc.publisherCogitatio Pressen
dc.relation.ispartofMedia and Communication, 2023, V. 11, n. 2, p. 255–265en
dc.rightsAtribución 4.0 Internacional*
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/*
dc.subjectPolitainmenten
dc.subjectPolitical fictionen
dc.subjectPolitical television seriesen
dc.subjectPortugalen
dc.subjectSpainen
dc.subject.otherComunicaciónes
dc.subject.otherCommunicationen
dc.titleSpanish-Portuguese Serial Fiction as a Politainment Tool: Representations of Politics on Iberian Televisionen
dc.typeinfo:eu-repo/semantics/articlees
dc.rights.accessRightsinfo:eu-repo/semantics/openAccesses
dc.relation.publisherversionhttps://doi.org/10.17645/mac.v11i2.6319es
dc.identifier.doi10.17645/mac.v11i2.6319
dc.relation.projectIDinfo:eu-repo/grantAgreement/AEI/Plan Estatal de Investigación Científica y Técnica y de Innovación 2017-2020/PID2020-114193RB-I00/ES/Politainment ante la fragmentación mediática: desintermediación, engagement y polarización/es
dc.identifier.essn2183-2439
dc.journal.titleMedia and Communicationes
dc.volume.number11es
dc.issue.number2es
dc.type.hasVersioninfo:eu-repo/semantics/publishedVersiones


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