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dc.contributor.authorNarváez Torregrosa, Daniel Carlos 
dc.date.accessioned2024-05-08T11:32:55Z
dc.date.available2024-05-08T11:32:55Z
dc.date.issued2024-04-25
dc.identifier.issn2042-7891
dc.identifier.urihttp://hdl.handle.net/10259/9156
dc.description.abstractThis article discusses the film Sotapolulla (‘On the warpath’) (1922), a pioneering work in the early years of Finnish cinema. By highlighting the role that women played during the Finnish Civil War (1918), scriptwriter and director Teuvo Pakkala, a well-known conservative writer, created a model of femininity for the post-war period. The construction of the female characters accords with the standards of femininity in Hollywood silent film, which featured strong, assertive women committed to the social order. Thus Pakkala’s film in significant ways follows the classical model that Noël Burch identifies as an institutional mode of representation.en
dc.format.mimetypeapplication/pdf
dc.language.isoenges
dc.publisherIntellecten
dc.relation.ispartofJournal of Scandinavian Cinema. 2024en
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internacional*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectTeuvo Pakkalaen
dc.subjectFinnish silent cinemaen
dc.subjectFinnish Civil Waren
dc.subjectCinema and genderen
dc.subjectCinema and historyen
dc.subjectCinema and contemporary conflictsen
dc.subject.otherCinees
dc.subject.otherMotion picturesen
dc.subject.otherHistoriaes
dc.subject.otherHistoryen
dc.titleA narrative of women and war: The Finnish silent era film ‘On the warpath’en
dc.typeinfo:eu-repo/semantics/articlees
dc.rights.accessRightsinfo:eu-repo/semantics/openAccesses
dc.relation.publisherversionhttps://doi.org/10.1386/jsca_00104_1es
dc.identifier.doi10.1386/jsca_00104_1
dc.identifier.essn2042-7905
dc.journal.titleJournal of Scandinavian Cinemaen
dc.type.hasVersioninfo:eu-repo/semantics/publishedVersiones


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