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dc.contributor.author | Bardavío Estevan, Susana | |
dc.date.accessioned | 2025-01-07T11:40:24Z | |
dc.date.available | 2025-01-07T11:40:24Z | |
dc.date.issued | 2021-08 | |
dc.identifier.issn | 1656-152X | |
dc.identifier.uri | http://hdl.handle.net/10259/9831 | |
dc.format.mimetype | application/pdf | |
dc.language.iso | eng | es |
dc.publisher | Ateneo de Manila University | es |
dc.relation.ispartof | Kritika Kultura. 2021, V. 37, n. 13, p. 237-258 | es |
dc.subject | Colonial representation of the Philippines | en |
dc.subject | Emilia Pardo Bazán | es |
dc.subject | Spanish imperialism | en |
dc.subject | Fin-de-siècle Spanish literature | en |
dc.subject | Gender, race and nation in fin-de-siècle Spain | en |
dc.subject.other | Literatura española | es |
dc.subject.other | Spanish literature | en |
dc.title | "Asylum of Incurably Lazy and Depraved Men": The Philippines as a Space of Degenerate Masculinity in the Late Fiction of Emilia Pardo Bazán | en |
dc.type | info:eu-repo/semantics/article | es |
dc.rights.accessRights | info:eu-repo/semantics/openAccess | es |
dc.relation.publisherversion | https://doi.org/10.13185/1656-152x.1884 | es |
dc.identifier.doi | 10.13185/1656-152x.1884 | |
dc.journal.title | Kritika Kultura | es |
dc.volume.number | 37 | es |
dc.issue.number | 13 | es |
dc.page.initial | 237 | es |
dc.page.final | 258 | es |
dc.type.hasVersion | info:eu-repo/semantics/publishedVersion | es |