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    Por favor, use este identificador para citar o enlazar este ítem: http://hdl.handle.net/10259/6153

    Título
    “Un estado de la conciencia contemporánea”: género y moral en La sirena negra de Emilia Pardo Bazán
    Autor
    Bardavío Estevan, SusanaAutoridad UBU Orcid
    Publicado en
    Neophilologus. 2022, V. 106, n. 1, p. 39–56
    Editorial
    Springer
    Fecha de publicación
    2022-03
    ISSN
    0028-2677
    DOI
    10.1007/s11061-021-09700-x
    Resumo
    Despite Emilia Pardo Bazán’s prominent feminism, La sirena negra has been strangely overlooked by gender studies. When the novel was published in 1908, Gómez de Baquero judged it “non feminist” due to its superficial heroines and the centrality of its complex masculine characters. Academic studies of La sirena negra have not refuted this idea, since they have elided gender approaches to focus on its decadent aesthetics. This article argues, on the contrary, that the novel’s androcentrism can be read as a Pardo Bazan’s strategy to appropriate the patriarchal discourse and hold it responsible for national degeneration. Emilia Pardo Bazán was harshly affected by the fin-de-siècle crisis. In her opinion, Spanish decay came from a lack of solid morality. Thus, Catholic principles should be restored because they would provide the autoregulation mechanisms to regenerate and reassemble the country. Literature should show the new reality, and the French roman psychologique provided her with an appropriate model. La sirena negra sets out the problem of the moral anomie through its protagonist, Gaspar de Montenegro. The analysis of his sexuality and gender performance reveals the danger of this amoral behavior for the degeneration of society, attributed ultimately to the patriarchal order and the androcentric discourse.
    Palabras clave
    La sirena negra
    Emilia Pardo Bazán
    Gender
    Biopolitics
    Fin-de-siècle Literature
    Sexuality
    Materia
    Literatura española
    Spanish literature
    URI
    http://hdl.handle.net/10259/6153
    Versión del editor
    https://doi.org/10.1007/s11061-021-09700-x
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    Bardavío-neophilologus_2022.pdf
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